My Favorite Medical History Podcasts

In addition to an extensive list of memoirs, biographies, and research texts on medical history that I have read for background research on Sugar Communion, I have also spent a lot of time walking the dog and listening to podcasts. Here’s a photo of Wile E. and me on the way to the trail, just because:

Wile-E-Dog-and-Jen-COVID-masked
Heading out to the trail and hoping we’re the only ones on it. Listening to medical podcasts during COVID is on-point.

My heroine, Dr. Elizabeth “Liddy” Shepherd, M.D., is one of many young women who became physicians or surgeons at the turn of the twentieth century. Many? Yeah! I mean, not a flood but enough to say that it was a viable career path for quite a few. In romance novels, the introduction of a female doctor character is often presented as something truly exceptional: “the only female physician in England,” one says, which is sorta lousy history. (Is it good marketing? I suppose so.) The aforementioned heroine was loosely based on the first female physician licensed in England, Elizabeth Garrett Anderson—not counting James Barry, who was assigned female at birth. By 1876, the year this other novel takes place, Dr. Anderson was already training female doctors by the class-full in the medical school she had opened—women who could have applied for licensure just like hers. Also, Scotland not England was really the “scene of the first major attempt by British women to break into the exclusively male world of medicine.”

Sugar-Sun-series-Pinterest
Check out my Pinterest pages for all my inspirations and visual research. Liddy will grow up in a medical family: her father and two brothers are both physicians of the eclectic school and operate a hydrotherapy sanitarium (think Kellogg‘s Battle Creek sanitarium for more frugal customers). She will go against her family’s wishes—not in becoming a doctor but in studying the new microbiological, laboratory-based field, which they regarded as a threat.

Women in the US probably had an easier road, with several coeducational and women’s medical schools existing in the Gilded Age, especially in the midwest. At the University of Michigan, for example, women made up a quarter of the class. The school turned out country doctors—a difficult, smelly career that these Gibson girls were welcome to try. Michigan was a better school than most, but in general medical education was not really stellar for either men or women. For example, there were no written examinations at Harvard Medical School at the beginning of the Gilded Age. None. In fact, that would have been impossible, one professor complained, because half of his students “could barely write.”

Ohio-Medical-University-Protestant-Hospital-Goodale-Ohio-State
Ohio Medical University was one of the predecessor institutions of the eventual Ohio State University Medical School, and the affiliated Protestant Hospital would eventually become Riverside Methodist Hospital. This original campus was at Goodale Park. Postcard courtesy of Historical Reflections, the Ohio State Medical Heritage Center Blog.

During the Gilded Age, doctors went from being considered “butchers” and “bleeders” to people who could actually diagnose what was wrong with you. Obviously, this is a great advance—though, before antibiotics and safe anesthesia, odds on treatment, care, and recovery were still not great.

It was the improvement in the status of doctors that led conservative elements of American society to decide that medicine was not an appropriate career for women, often because a woman doctor would be taking a “good job” from a man. The publication of the Flexner Report in 1910 is credited with creating the modern scientific medical school system in the US, but it also directly or indirectly caused the closure of many medical schools for women and African Americans. Those that had been coeducational reduced their admission of women, partly because they had a rise in male applicants. One study calls an unintended consequence of Flexner’s report “the near elimination of women in the physician workforce between 1910 and 1970.” It is the post-Gilded Age lack of women in medicine that makes us think that women have always been uniformly shut out of the field.

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Sugar Communion’s heroine, Dr. Elizabeth “Liddy” Shepherd, as inspired by an 1896 fashion plate at the Met. (She will borrow the dress.)

(Side note: Johns Hopkins, the model of a modern medical school for Mr. Flexner, only managed to operate because of the patronage of four women: Martha Carey Thomas, Mary Elizabeth Garrett, Elizabeth King, and Mary Gwinn. According to Johns Hopkins: “They would raise the $500,000 needed to open the school and pay for a medical school building, but only if the school would open its doors to qualified women. Reluctantly, the men agreed.” Unfortunately, the legendary founder of internal medicine at Hopkins, Dr. William Osler, was less enthusiastic about the role of women in the field, and the numbers of female students would dwindle before growing again decades later.)

My character Liddy needs to be a good doctor, yet one appropriate to her time period. I had to understand the world of medicine she was a part of. Better than studying it, I had to immerse myself in it. For that task, I did use some good books, but mostly I listened to podcasts. Let’s talk about a few of those:

Medical-History-Podcasts-rated

Bedside Rounds

I happened upon Bedside Rounds first and have since listened to every single episode. Dr. Adam Rodman is engaging and informative—so informative, in fact, that members of the American College of Physicians can earn Continuing Medical Education (CME) and Maintenance of Certification (MOC) credit for just listening to these episodes and taking a quick quiz! But, trust me, we general listeners need not worry about the test, nor are we left behind. Dr. Rodman’s intention was to model his podcast on Radio Lab, and his delivery is just as compelling and digestible (health-related pun?) as that popular program. There were times when I did backtrack 15 seconds or so just to let some point wash over me a second time, but keep in mind that I was taking mental notes for my book. A casual listener can easily stay on pace, though Rodman doesn’t shy away from the tough stuff. His presentations do have lighter moments but never get silly. Listening changes the way you view medicine, mostly by making you realize how young the field really is. (Note: The COVID-related episodes, including an in-depth treatment of previous coronaviruses and the 1918 flu, are very good.)

This podcast will kill you

Two immediate advantages of This Podcast Will Kill You are (1) the incredibly impressive epidemiologist-and-disease-ecologist-presenter-duo, Erin Welsh, Ph.D. and Erin Allmann Updyk, Ph.D.; and (2) the structure of each episode into separate segments on biology, history, and modern epidemiological issues related to each chosen disease. (They also have a Quarantini—or, if you prefer, a non-alcoholic Placeborita—for each episode, and this was before we were all quarantining.) “The Erins” (their label, though I prefer “Dr. Erins”) have just begun their fourth season, and that is a lot of episodes to catch up on, but you will be glad you did. Until I listened to TPWKY, I did not truly understand sickle cell disease, for example, or dengue—not even while I lived in the Philippines, which is embarrassing.

The Dr. Erins deal with diseases that other podcasts do not cover, like rinderpest, the bovine form of measles, which will have to be another glossary post on this blog because it comes up a few times in my books. (The Philippines lost 90% of their carabao population during the Philippine-American War period, which added greatly to the suffering of the people.) TPWKY also has episodes on cholera, malaria, and other diseases that have made an appearance in Under the Sugar Sun and, in particular, Tempting Hymn. Upcoming in Sugar Communion, TPWKY has been instrumental in my understanding of syphilis (don’t worry, I will stick to the chronotope), as well as smallpox and the history behind vaccinesaspirin, and caffeine. Relevant to the whole nineteenth and early twentieth century periods, there are episodes on typhoid fever and yellow fever and so much more! The more I listen, the more I love this podcast. I think they are having lots of (appropriate) fun too.

(Note: TPWKY also put out a series of excellent COVID episodes, as you might expect. They are broken down by different facets of the pandemic, along with a December 2020 update.)

the history of medicine

I have only listened to the first half of the first season of The History of Medicine podcast, but what I like about it is the deep dive into a narrative history of one big medical invention at a time. The first season is all about antibiotics—yay, penicillin! The show on plague (Yersinia pestis) is an excellent short backgrounder for all history teachers. A final advantage is that each episode here is very short. A possible disadvantage is that host and producer Kirby Gong is not a practicing physician—he only (ha!) has a master’s degree in biomedical engineering—but, actually, I call his perspective an advantage. He investigates medical inventions in a more procedural way. This podcast is the lens of an engineer, and I find that fascinating.

this won’t hurt a bit

This Won’t Hurt a Bit was a lot of fun, but sadly you will quickly run out of episodes. The two ER physicians who are the main hosts here, Dr. Mel Herbert and Dr. Jess Mason, are so busy with saving lives and producing other educational modules for ER docs that they are not actively creating many new releases. (Note: They do have a few COVID episodes that I have not gotten to yet. I am more interested in everything non-COVID right now. Go figure.) Though these doctors are not exclusively focused on history, usually each episode touches upon the historical approach to a disease or treatment in some way. They also teach you a lot about being a good patient, including when you might want to go to a hospital yourself! Dave Mason, Jess’s non-MD husband, is also one of the hosts, and he provides banter and asks the questions you really wanted to know. What I appreciate about Dave, though, is that he is not entirely silly, and he does not derail Mel and Jess when they are delivering information. This podcast is very well produced and engineered, with additional asides and definitions that you appreciate not dread.

sawbones

Sawbones is probably the most popular podcast of all the above, at least by the size of the live audiences that they have performed in front of (pre-quarantine days). This podcast is billed as “A Marital Tour of Misguided Medicine,” and that is because the show is based around the relationship of the medical host, Dr. Sydnee McElroy, and the comic relief, her husband Justin McElroy. (And they published a book too!) Most of the background medical history research is done by Sydnee—or maybe I’m underestimating Justin?—and fortunately she brings her A-game. Her episode on hydrotherapy was quite useful for my research. Dr. McElroy is also living and practicing in Huntington, W.V., which is where my grandparents and aunt lived (and therefore I spent a lot of time growing up)—and I feel connected to the McElroys that way too. (Surprise, surprise, they have several COVID episodes that I have not listened to yet, and they have also done an important set of podcasts on the history of medical racism inspired by recent protests.)

[Edited to add: The most recent episode on “Physician Burnout” is essential listening for all of us, physicians and patients alike. If you work in another “helper” profession, there are many parallels you will relate to.]

[just added!] maintenance phase

Maintenance Phase, a podcast that bills itself as “Wellness & weight loss, debunked & decoded,” started as a friend’s recommendation. She suggested the “Olestra” episode because I have family members who were involved in that indigestible chapter of history. This show has quickly become one of my favorites for general listening, though. I am one of those people who have been constantly in one diet cult or another my whole life, and counterprogramming is a challenge. The hosts of this podcast are not just scientifically informed, they are so much fun to listen to. In terms of medical history, their “Snake Oil” episode is one of my absolute favorites.

[just added!] the curious clinicians

The Curious Clinicians is sometimes too much for me, the writer who had not taken biology since freshman year in high school. This podcast is hosted by doctors and lab researchers for a similar audience, and so they do not explain every term or concept for the non-biologists in the room, and I recommend that we humanities folk out here choose our episodes wisely—but not shy away altogether. One episode that is amazing for everyone, especially if you are a foodie, is: “Episode 9: Why is umami so delicious?” A runner-up is “Episode 4: Why did Van Gogh paint with so much yellow?” Currently, I am learning about how fevers are actually useful, which is why almost all animals and even plants use them to fight infections!

stuff you missed in history class

For a history podcast, Stuff You Missed in History Class touches on medical topics a lot. There is even a good episode on the Flexner report, mentioned above. I think this is because the hosts, Holly Frey and Tracy Wilson, show a real concern for the daily lives of past people. One of their other stand-out episodes for me was on the “Orphan Trains,” which is a footnote of history you might also see in Sugar Communion. [Update: I don’t know anymore. I have to do a lot of cutting.] There is a deep backlog that I plan to dive into once I’m finished with some of my medical questions.

the others you see on my player

There are more podcasts that I have not yet gotten around to, like the History Chicks, the Revisionist History podcast, and This Land. Other titles are related to my professional interests. I highly, highly recommend the first season of Blowback about the Iraq War. I do not think that I can say that enough times. There are other podcasts in my favorites that I have listened only to a few episodes of, like Casenotes. (Nope, not the true-crime podcast, but the medical history one. It is a fortnightly podcast from the Physicians’ Gallery at the Royal College of Physicians of Edinburgh. Essentially it is just the audio of lectures given by doctors and epidemiologists for other highly-degreed people. It can be very good, depending on the speaker, but it is like listening to a conference, not a highly-produced podcast.)

You may have also noticed Book Thingo on my Stitcher account because it’s the best romance podcast out there, and I’m not just saying that because they were willing to talk to me. Kat Mayo is also the originator of the #UndressAndres hashtag, so I owe her a lot. [Edited to add: Did you know I was interviewed for a podcast on Balangiga too? Check it out!]

If you know of more stuff I should be listening to—especially anything relevant to Sugar Communion—please let me know. My dog always needs walking.

Lt. Col. Walter Loving and the Philippine Constabulary Band

Despite President Roosevelt’s declaration that the Philippine-American War was over in 1902, there was actually still a lot of fighting to do. Combat was largely turned over to two new Philippine services: the Constabulary (police) and the Scouts (army), both of which were organized and administered by the American colonial government. Noncommissioned officers and junior officers in the US Army were tapped to become officers of these services as they started out. One of these men would become a beloved figure in Manila: Philippine Constabulary Band leader, Lt. Col. Walter Loving.

As a colonial army, leadership positions in the Constabulary were not equitably distributed. For starters, officer positions were not granted to Filipinos at all (Talusan 2004, 501). Secondly, discriminatory practices still benefited white officers over African Americans, despite the latter being preferred by Filipinos. A Filipino physician told Sergeant Major John W. Calloway, a Black soldier who was working part-time as a reporter from the Richmond Planet: Between you and him we look upon you as the angel and him the devil” (“Voices from the Philippines” 1899, 1).

White leaders justified their continued segregation and discrimination with the supposed poor performance of African American soldiers—but this claim simply wasn’t true. In fact, it had already been proven untrue in the Spanish-American War when the Ninth and 10th Cavalry and 24th and 25th Infantries saved Roosevelt’s own hide.

Dress-on-the-Colors
“Dress on the Colors” by Dale Gallon. Acting Color Sergeant George Berry of Troop G, 10th US Cavalry Regiment carries the national flag of his own command as well as the standard of the 3rd US Cavalry Regiment in the assault upon the Spanish works at Kettle Hill, San Juan Heights, Cuba, July 1, 1898. Original commissioned by US Army War College, Carlisle, PA.

As an example of continuing discrimination, Edward L. Baker Jr. has to be one of the most overqualified second lieutenant in American military history. He had earned a Congressional Medal of Honor—the highest award for valor in action that can be awarded to anyone in the United States Armed Forces—while a sergeant with the 10th Cavalry in the Spanish-American War (National Park Service 2015). He then served as a first lieutenant, then captain, of African American volunteer regiments in the Philippines. When those regiments were disbanded in 1902, Baker joined the Philippine Scouts in 1902, but he was forced to accept a significant demotion (Cunningham 2007, 13). A second lieutenant is the entry level of an officer, right out of officer training, and that’s two grades lower than the captaincy that experienced veteran and Medal-of-Honor-winner Baker previously had.

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Edward Lee Baker, Jr., of the 10th Cavalry, winner of the Medal of Honor for service in the War against Spain in Cuba. Image courtesy of the National Medal of Honor Museum.

Second lieutenant was still an officer position, though, and this kind of promotion is what drove a veteran named Walter Loving to make his career in the Philippines. Loving was not a line officer but a cornet player. The cornet is a horn similar to trumpet but shorter and with a mellower tone. “Military bands were an important part of every regiment, and the Army’s Black bands enjoyed especially good reputations, perhaps because they were able to attract talented musicians with fewer opportunities for steady civilian employment” (Cunningham 2007, 6). Loving was one of those talented musicians. The Black chaplain of the 24th Infantry unit, Loving’s first regiment, wrote him a glowing recommendation as a “fine musician” and said that one day Loving “would be successful as a chief musician of a regimental band” (Cunningham 2007, 7). At this point, all the chief musicians in the permanently constituted regular army were white, and part of the reason for this may be pay: they earned more than other soldiers of their rank, and they had quartermaster privileges. Worse, these white officers were sometimes ex-Confederates (Gleijeses 1996, 193). Loving would later remark on this practice:

Even in Civil War days colored units carried colored non commissioned officers . . . that most of these white non commissioned officers view themselves in the light of the overseer of antebellum days is shown by their practice of carrying revolvers when they take details of men out to work (Quoted from African American Registry).

When Loving could not secure the post of bandleader, he decided to re-enlist in the 8th U.S. Volunteer Infantry, which served in Cuba. The white colonel of the unit said: “My colored officers and men have quietly submitted to slights and insults which would not patiently be borne by white troops, and I hope they will continue to do so in future. But each prejudice is a source of constant danger to regiments constituted as mine is and stationed in the South” (Cunningham 2007, 8). When the entire regiment was mustered out, for example, they were “roughed up” by the police as they passed through Nashville on the train (Cunningham 2007, 8). It was with the 8th USVI that Loving was finally promoted to second lieutenant to become the chief musician of the band—but since the volunteer unit was a temporary one, his commission was temporary too. (Think of volunteer units as having an expiration date. Most enlistments in them were a year, and the units were disbanded once they were no longer needed. This is what had happened to Baker too.)

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The Philippine Constabulary Band on parade in Manila, August 1905. Photo from the U.S. National Archives, reprinted in “The Loving Touch,” Summer 2007 edition of Army History magazine, page 13.

Loving returned to school at the New England Conservatory of Music in Boston, where his professor wrote that “his progress had been ‘very remarkable’ and that the mark he had attained as a cornet soloist had ‘never been surpassed since this Institution . . . organized its special course for the cornet’” (Cunningham 2007, 9). Loving did not stay to complete his degree, though, because war in the Philippines lured him back into the service.

Three men playing guitars and three women listening on balcony, Philippine Islands. Reads: “Where softly sighs of love the light guitar—a Visayan-Filipino serenade.” Photo courtesy of the Library of Congress.

While serving as the chief musician for the 48th US Volunteer Infantry, another temporarily-constituted unit, his commanding officer said to him: “The high state of efficiency to which you have brought the band when hardly two men knew how to make a note when they first reported seems almost beyond belief, and the development of the regimental chorus of four hundred voices all bear witness to your ability” (Cunningham 2007, 10). (This perspective is flattering to Loving but not to the Filipino musicians, who had a long tradition of excellent music. More on that in a bit.)

But then the 48th USVI was mustered out too. What would Loving do now? He sought the assistance of Vice President Theodore Roosevelt—a friend of his sister’s employer—to secure a position as a messenger in the U.S. Senate. Roosevelt wrote his regrets, saying that “he already had a ‘colored messenger, . . . and the other messengers are appointed by the individual senators. They would not tolerate any advice from the Vice President about them” (Cunningham 2007, 10). Next, Loving sought a position with the Philippine Scouts, and he again asked for Roosevelt’s help. “Although Roosevelt had previously assured [Julia’s employer] that he was willing to help Loving, he instructed his secretary to inform the War Department that he did not ‘wish any unusual action taken’ in the case, and the Scout commission never materialized” (Cunningham 2007, 10).

African-American-officers-Manila-1908
Leading African American officers and civil servants in the Philippines, c. 1908, included, left to right, Lieutenant Thompson; Robert G. Woods; Maj. William T. Anderson, chaplain of the 10th Cavalry; J. B. Quander; and Captain Loving. Woods and Quander were high-ranking clerical officials of the Philippine Constabulary. Photo from the U.S. National Archives, reprinted in “The Loving Touch,” Summer 2007 edition of Army History magazine, page 13.

Finally, things did turn around. Loving was able to return to the Philippines in 1902 as a second lieutenant for the Philippine Constabulary under General Henry T. Allen. “Loving was lucky to serve under Allen because the general had a relatively high opinion of African American (and Filipino) capabilities. As Allen’s biographer has pointed out, his ‘moderate racial views put him in the minority among the senior officers of his day’” (Cunningham 2007, 11). That is faint praise now, but Allen’s word meant something to Governor Taft, who then tapped Loving to form a Constabulary Band. Actually, this was something Taft had promised to do back when Loving was still with the 48th USVI, but with Allen’s push he finally made good on his word.

Loving would have a lot of talent to work with. According to scholar Mary Talusan:

The men who formed the original Band were some of the most promising musicians of their time. Some of them descended from a long line of small town band musicians or were former members of regimental bands under Spanish rule. Others were already enlisted in infantry bands under U.S. control, and a few were “trumpeters who had served under Aguinaldo” (Richardson 1983, 9). Most men came from or lived in the Manila area, but a few were from the llocos, Visayas, and other places.

Filipino street band 1900 full color image from Harper's Magazine in Gilded Age American colony
Full color image from the Harper’s History of the War in the Philippines, accessed at Google Books.

The Philippines had long valued music in the home, on village streets, and in military bands. Town bands played at fiestas, marriages, funerals, baptisms, and just for weekend fun. Competitions between local bands would last for days. Instruments were handed down from parent to child, but there was also formal musical education available (Talusan 2004, 506-7).

Outside of religious institutions, European classical music was taught in boys’ colleges, normal schools for boys, the Ateneo, the University of Santo Tomas, the Beaterio Colleges for girls, and also privately. Filipino elites and intellectuals actively supported the performances of concerts and operas by individuals, visiting organizations, and local art and literary societies with musical components. Ilustrados (educated elite who studied in Europe) brought back and kept in touch with the musical scene in Europe. Orchestras performed for a widely popular native form of opera called sarsuela (Talusan 2004, 506).

G. W. Peter’s illustration, “An Evening Concert on the Luneta,” which was published in Harper’s Weekly as the centerfold on 25 November 1899. This version is color-corrected from a high resolution image in order to bring out the American soldiers on the right side. The Constabulary Band led by Loving is in the upper right-hand corner.

Musicians and audiences embraced the new Constabulary Band, and it would become a regular feature during evenings at the Luneta. Even more importantly, the skilled Filipino musicians embraced Loving’s leadership:

I have heard many stories from [the family of Loving’s protege, Pedro B. Navarro] of the great respect that the bandsmen had for Loving as a leader, musician, and officer. He was described as a very strict, principled, and compassionate man, and the bandsmen were fiercely loyal to him. My great-aunt, Leonora Navarro, related that Loving would often eat dinner with their family. In addition to their profound relationship as musicians, Loving’s command of Spanish certainly fortified their connection. During those times many Filipinos used Spanish as a language of resistance against American hegemony, since many Americans in Manila could not speak it. By using Spanish to communicate the bandsmen and Loving created for themselves a space for camaraderie and resistance (Talusan 2004, 510).

Loving also learned some Tagalog, the language of Manila and nearby provinces. He was promoted to first lieutenant in 1903 (Cunningham 2007, 11), and in the next year he would bring his band to the United States to be one of the most popular attractions at the 1904 World’s Fair, also known as the Louisiana Purchase Exhibition, in St. Louis. This experience was one of the highlights of Loving’s early career, but it was not without its challenges. The experience of Filipinos and African Americans at the World’s Fair was a pointed illustration of the assimilationist racism of American imperialism at the turn of the century (Kendi 2017):

Loving, as a Negro officer in military uniform, might have been perceived by audience members as having been assimilated and made successful by American tutelage and training. He seemed to confirm the trope of “benevolence” by embodying America’s democratic rather than racist principles. In sharp contrast, African American groups were kept from participating in the fair and their representation was limited to the nostalgic “Old Plantation” exhibit. The few Black fairgoers that did attend were excluded from water fountains and restaurants. . . . In fact, I found no references to Loving’s race in any of the public documents of the Fair, suggesting that, since he could not be contained in the discourse of [racist] evolutionary hierarchy, his racial identity was better left unidentified (Talusan 2004, 519).

The 80-member Filipino Constabulary Band, under the direction of Lt. Loving (seated in front), was considered “among the best bands at the Louisiana Purchase Exposition,” according to photographer Jessie Tarbox Beals. Photo from the Missouri History Museum.

For the Filipinos of the Constabulary Band, the World’s Fair was a forum to showcase their talent on a world stage:

During one evening concert, the band especially impressed its audience when the power went out and the Filipino musicians continued to play the William Tell Overture in the dark, without missing a note. Loving, who quickly tied a white handkerchief to his baton so that it could be seen, had insisted that his men memorize their repertoire (Cunningham 2007, 12).

As scholar Mary Talusan argues, it may have been possible for both groups to serve their own agendas simultaneously in St. Louis:

Such representations in America’s expositions encouraged American fairgoers to marvel at the civilizing effects of the U.S. on the Philippines, legitimizing the contentious way by which the Philippines was brought under its custody. In this way, the United States government’s exhibition of Filipinos at the St. Louis Fair can be seen as a successful effort to construct an image of the ideal colonized person, one who embodied an identity characterized by passivity, obedience, and perhaps gratitude through the convergence of military and musical performance. By contrast, the Filipino elites who worked with the American colonial government in organizing the Fair and, to a large extent, the musicians themselves viewed the accomplishments of the PC Band in nationalist terms, emphasizing rather than obscuring Filipino musical traditions established at least a century prior to American rule. . . . American colonialists did not always succeed in binding colonial subjects to their proper place—individual agency and acts of resistance were never fully restricted or contained, especially in the arena of human creativity (Talusan 2004, 500).

1904-worlds-fair-bridge-spain-intramuros
At the 1904 World’s Fair (the Louisiana Purchase Exhibit), the Philippine exhibit included a replica of the Bridge of Spain over Lake Arrowhead to a model of Intramuros, the walled city of Manila. Photo from the St. Louis Public Library Digital Collections.

The white colonel who oversaw the Constabulary’s trans-Pacific voyage suggested that Loving “richly deserved” a promotion—which happened a month later as Loving was made captain. And it was because of Loving that President Roosevelt told the War Department that the white chief musicians in the regular army should be shifted to white units, clearing the way for African Americans to be promoted in their place (Cunningham 2007, 13-14).

The Constabulary Band in the March 1909 blizzard inauguration of President William Howard Taft. Image courtesy of Positively Filipino.

Most visible of all, when Taft won the US presidential election, he invited the band to play at his 1909 inaugural festivities, which happened to be in the middle of a blizzard. They also played at the opening of the Potomac Drive, a copy of the Philippine Luneta, established by the Tafts. “To pay for the $20,000 cost of their trip, the Constabulary Band played cities all along their routes, from Nagasaki to Washington, even in the White House, and back” (Cunningham 2007, 15-16). On the way back, John Paul Sousa, the most famous white composer and conductor of martial music, said the Constabulary Band was better than the (white) United States Marine Band, Sousa’s alma mater (Cunningham 2007, 15).

Thanks to Elrik Jundis for finding this cylinder audio archive recording of the Banda de la Constabularia Filipina, courtesy of the University of California at Santa Barbara Library. The cylinder was published in 1910, which means it is likely a recording from the 1909 tour.

Walter-Loving-1890s-and-1904-World-Fair
Walter Loving, first pictured in the 1890s courtesy of Wikipedia, and in 1904 at the World’s Fair, also from Wikipedia.

We should be careful not to praise Sousa in the matter, especially considering his assimilationist racist attitude towards ragtime music. He played some ragtime because it was popular, but he felt he had to “put a clean dress on it” (Quoted in Talusan 2004, 516). Loving seemed unable or unwilling to incorporate any African American music into his concerts Stateside, possibly because he was given less leeway. “As long as Loving and the bandsmen operated within acceptable parameters without overtly threatening the existing social order, they were allowed inside and commended in the military, the concert hall, and historical record” (Talusan 2004, 516). He stuck to the unwritten rules.

Part of the March 8, 1909, feature on the band’s concert for Taft’s inauguration. Even the above article, which was favorable to the band, includes the racist idea that Filipinos had “never seen an instrument” before the American arrival, which is so preposterous a claim that only other Americans would believe it. In fact, the musical tradition was more essential to small-town Filipino life than American.

Loving eventually retired from the Constabulary as a major in 1916, and—after a brief civilian sojourn in California—he returned to US Army service as an undercover officer reporting on Black socialists, one of the most controversial parts of his life. Interestingly, it is in this questionable work he was given his highest promotion in the US Army, to major. He would have argued that this position allowed him to work from within to advocate for changes in military practices—such as not allowing southern white officers to command African American regiments. But he also spied on antiracist activities of Black communities throughout the United States, hurting the very cause he championed (African American Registry).

philippine-constabulary-band-soloists-1909-white-house
The Philippine Constabulary Band soloists at the White House, Washington, DC, 1909. Photo courtesy of Eduardo De Leon at Flickr.

In the 1930s, Loving returned to Manila and was promoted to lieutenant colonel by Philippine Commonwealth President Manuel Quezon (Cunningham 2007, 16, 19). On a sad note, Loving would be imprisoned at the University of Santo Tomas during World War II until he was released to live under house arrest either at the Manila Hotel (Davis 2016) or a house in Ermita (Cunningham 19)—a rather unusual move for the Japanese command, supposedly in deference to Loving’s age and declining health (Cunningham 19).

Loving would die in Manila at the hands of the Japanese during the Battle of Manila in 1945. There are many stories of how he died: one explanation simply says Walter and his wife were separated by a Japanese soldier, and that was the last anyone saw of him (Cunningham 19); another claims that he refused preferential treatment by the Japanese to be beheaded with other Americans; another gives him credit for barricading a stairwell of the Manila Hotel so that fellow Americans could escape, causing him to be bayonetted and killed (Davis 2016); and a final story wrote that after Loving was shot in the back by retreating Japanese, he “half-walked and crawled to the Luneta, an open park where his famous band had many times thrilled the populace” where “the famous soldier and band leader drew his last breath” (Loeb 1945, 8).

The Luneta at sunset.

After his death, Loving was posthumously awarded the Philippine Presidential Medal of Merit and the Distinguished Conduct Star, the second-highest military honor in the Philippines. What would have made Loving even happier, though, was seeing his son, Walter Loving, Jr., serve as an artillery captain during the Korean War, after the desegregation of the armed forces following World War II. Loving’s son would retire as a full colonel in 1969 (Cunningham 2007, 19).

SELECTED Bibliography:

Cunningham, Roger D. “The Loving Touch: Walter H. Loving’s Five Decades of Military Music.” Army History, Summer 2007, 4-25. Accessed June 30, 2020. https://history.army.mil/armyhistory/AH64(W).pdf.

Davis, Collis H. “Leader of The Band.” Positively Filipino. Last modified April 13, 2016. Accessed September 5, 2020. http://www.positivelyfilipino.com/magazine/leader-of-the-band.

Gleijeses, Piero. “African Americans and the War against Spain.” The North Carolina Historical Review 73, no. 2 (1996): 184-214. http://www.jstor.org/stable/23521538.

Kendi, Ibram X. Stamped from the Beginning: The Definitive History of Racist Ideas in America. New York: Bold Type Books, 2017. Kindle edition.

Loeb, Charles H. “Eyewitness Tells How Famous Bandleader Was Slain by Japs.” Afro-American (Baltimore, MD), April 14, 1945, 8. Accessed September 5, 2020. https://news.google.com/newspapers?id=TB0mAAAAIBAJ&sjid=wP0FAAAAIBAJ&pg=3008%2C4087694.

National Park Service. “The Philippine War: A Conflict of Conscience for African Americans.” Presidio of San Francisco. Last modified February 25, 2015. Accessed July 3, 2020. https://www.nps.gov/prsf/learn/historyculture/the-philippine-insurrectiothe-philippine-war-a-conflict-of-consciencen-a-war-of-controversy.htm.

Talusan, Mary. “Music, Race, and Imperialism: The Philippine Constabulary Band at the 1904 St. Louis World’s Fair.” Philippine Studies 52, no. 4 (2004): 499-526. http://www.jstor.org/stable/42634963.

“Voices from the Philippines: Colored Troops on Duty—Opinions of the Natives.” Richmond Planet. (Richmond, Va.), 30 Dec. 1899. Chronicling America: Historic American Newspapers. Lib. of Congress. https://chroniclingamerica.loc.gov/lccn/sn84025841/1899-12-30/ed-1/seq-1/.

“Walter Loving Born.” African American Registry. Accessed September 5, 2020. https://aaregistry.org/story/walter-loving-born/.

Who Saved Roosevelt’s Hide

This is the story you may have heard: Theodore Roosevelt built the second half of his national political career on his reputation as a hero from the Cuban theater of the Spanish-American War. As a lieutenant colonel with the 1st US Volunteer Cavalry Regiment, also known as the “Rough Riders,” Roosevelt promoted his own efforts in the fight to liberate Santiago, Cuba. His friend, Colonel Leonard Wood, helped create the legend by reporting to the War Department, “I have the honor to recommend Lieut. Col. Theodore Roosevelt . . . for a Medal of Honor for distinguished gallantry in leading a charge on one of the entrenched hills to the east of the Spanish position in the suburbs of Santiago de Cuba, July First, 1898” (Yockelson 1998, 3).

This is the part you probably don’t know: Wood was not at the battle, and those who were there would tell a different story: Roosevelt and his Rough Riders owed their victory and probably their reputations to the African American regiments who saved their hides. These were the same troops Roosevelt would later disparage and, in some cases, dishonorably discharge by executive order.

History in Sugar Sun series by Jennifer Hallock
Navy accidents, fake news, and a New Yorker bent on war. I mean the Spanish-American War of 1898. What were you thinking? Find out more.

Mr. Charles McKinley Saltzman, a white graduate of West Point and a veteran of the Cuba campaign, praised the 9th and 10th Cavalries, along with the 24th Infantry, for charging San Juan Hill in the most integrated battle of the war. He said that these African American soldiers “did much to save the Rough Riders from being cut to pieces” (“Compliment to Colored Soldiers,” 1). The 24th Infantry “bore the brunt” of the fighting—and though they were specifically targeted by the Spanish, they stood their ground and performed challenging maneuvers “under the hottest fire of the day” (“Colored Troops Win Praise from the White Press,” 2).

24th-and-25th-infantry-San-Juan-Cuba
Charge of the 24th and 25th Infantry and rescue of Rough Riders at San Juan Hill, July 2nd, 1898. Illustration credited to Kurz & Allison, 1899, and accessed at Library of Congress.

A reporter from New York said that the 10th Cavalry advanced, “firing as they marched, their aim was splendid. Their coolness was superb and their courage aroused admiration of their comrades” (New York State Division). First Lieutenant John “Black Jack” Pershing—a hero who would fight in the Philippines and eventually become the American commander in Europe during World War I—also agreed that the 10th Cavalry saved Roosevelt’s forces. Rough Rider Frank Knox himself called the 10th Cavalry “the bravest men he had ever seen” (New York State Division). A white corporal, who would also admit to his prejudice against Black Americans in general, was quoted saying: “If it had not been for the Negro Cavalry, the Rough Riders would have been exterminated” (“Gov. Tanner’s Speech,” 4).

African-American soldiers Spanish-American War
Formation of African American soldiers whose unit is not identified. Accessed at the Library of Congress.

The Richmond Planet, an African American community newspaper, forecasted that though these soldiers had been “a right useful ‘article’ when white troops are in a tight place” (“Gov. Tanner’s Speech,” 4), they would not be properly recognized. That is not entirely true. A few were: five members of the 10th Cavalry received the Congressional Medal of Honor, America’s highest and most-prestigious personal military decoration, as did a Black naval fireman on the USS Iowa off the coast of Cuba.

Edward-Baker-Medal-of-Honor-Cuba
Edward Lee Baker, Jr., of the 10th Cavalry, winner of the Medal of Honor for service in the War against Spain in Cuba. Image courtesy of the National Medal of Honor Museum.

Twenty-five other soldiers from African American units were awarded the Certificate of Merit, the second highest award at the time (New York State Division). But those who did not survive Cuba did not receive their due posthumously. In fact, they were not even brought home to be buried like the fallen Rough Riders and other white officers. Instead, after suffering a 20% casualty rate (New York State Division), the African Americans killed in combat were buried in unmarked graves on the San Juan Heights near where they fell (“President McKinley and the Negro Soldiers,” 1).

Dress-on-the-Colors
“Dress on the Colors” by Dale Gallon. Acting Color Sergeant George Berry of Troop G, 10th US Cavalry Regiment carries the national flag of his own command as well as the standard of the 3rd US Cavalry Regiment in the assault upon the Spanish works at Kettle Hill, San Juan Heights, Cuba, July 1, 1898. Original commissioned by US Army War College, Carlisle, PA.

How did Roosevelt get the credit? He had “friends in the newspaper business [who] ensured that his exploits in Cuba were not overlooked by the public” (Yockelson 1998, 1). And it did make a good story: the rising star of the Republican Party had overcome debilitating asthma in his youth to become a college athlete, a successful rancher, and New York City Police Commissioner. Then he resigned his desk job as the Assistant Secretary of the Navy to endanger himself in battle. At least those parts of the story are true. The rest is not:

Roosevelt gives the impression that he alone was the first to charge the San Juan Heights to drive away the entrenched Spaniards. This image of Theodore Roosevelt was propagated with the help of Richard Harding Davis. Reporting for the New York Herald, Davis transcribed what Roosevelt told him, then added his own twist to the story. In addition to the newspaper articles, magazines and books picked up his story. Davis depicted a fearless Roosevelt, wearing a blue polka-dotted bandanna, charging up the hill mounted on his horse, Texas. Thus the legend of Theodore Roosevelt was created (Yockelson 1998, 2).

As he continued to recount his exploits, the tales grew taller and taller (Yockelson 1998, 2). Eventually, reflecting satisfactorily on his own bravery, Roosevelt wrote: “I am entitled to the Medal of Honor and I want it” (Yockelson 1998, 1). Four months later, he “painfully told [Senator Henry Cabot] Lodge on December 6 that ‘if I didn’t earn it, then no commissioned officer can ever earn it’” (Yockelson 1998, 3).

24th-Infantry-1900
A group portrait of soldiers from the Company I, 24th Infantry regiment, in uniform. Notice how many of the African American soldiers and NCOs are wearing medals for distinguished service: 7 out of 44 pictured. Photograph courtesy of the Library of Congress.

When faced with the lack of direct eyewitnesses to prove his valor, Roosevelt claimed that was because he was so far out ahead of his fellow soldiers: “I don’t know who saw me throughout the fight, because I was almost always in the front and could not tell who was close behind me, and was paying no attention to it” (Yockelson 1998, 4). His entitlement reached a fevered pitch when he wrote Senator Lodge: “I don’t ask this as a favor—I ask it as a right . . . If [the president and the War Department] want fighting [over it], they shall have it” (Yockelson 1998, 3).

Charge of the Rough Riders at San Juan Hill
Charge of the Rough Riders at San Juan Hill by Frederic Remington. Accessed at the New York Public Library.

Twenty-six other soldiers did earn the Congressional Medal of Honor in the fight for Santiago, Cuba, including the five Black cavalrymen of the 10th and the one sailor mentioned above, but Roosevelt did not receive the citation in his lifetime (Yockelson 1998, 4). He did not lose well, especially not to the African American soldiers that the War Department recognized:

In a series of articles published in Scribner’s Magazine [Roosevelt] contended that the physical ability of African-Americans to perform on the battlefield was only useful if guided by the paternal supervision of white officers. He even claimed that African-American soldiers had an inordinate tendency to retreat and engage in “misconduct” when white officers were not present. . . . [This behavior was] “natural in those but one generation from slavery and but a few generations removed from the wildest savagery” (Ngozi-Brown 1997, 44).

In another article, Roosevelt wrote that Black soldiers were “particularly dependent upon their white officers. Occasionally they produce non-commissioned officers who can take the initiative and accept responsibility precisely like the best class of whites; but this can not be expected normally, nor is it fair to expect it” (Amron 2012, 414-15). He even claimed that the African American soldiers lagged back in the rear, some fleeing the battlefield, until Roosevelt himself prompted them forward at revolver-point (Amron 2012, 415; New York State Division). “According to Presley Holliday, a former Sergeant in the 10th Cavalry, Roosevelt actually stopped four soldiers on their way to pick up ammunition from a supply point”—not retreating at all, in fact. The four soldiers were doing their job (New York State Division).

Scribners Roosevelt Memoirs
Roosevelt’s serialized war memoirs in Scribner’s, courtesy of Streets of Salem.

How did the United States War Department see fit to reject Roosevelt’s lobbying for an award and instead bestow the same upon a handful on the soldiers he disparaged? Could they have been swayed by other press outlets? J. N. Johnson, a prominent African American doctor and attorney, wrote to the Washington Post:

. . . I write to thank the press, including The Post, in the name of the whole race, for favorable mention of the black soldiers who played their part so well, though having no opportunity for official recognition of their conspicuous bravery. . . . The negro soldier was needed; he was on hand and played his part well; and though the government is silent the press sings his praise (“Negro Soldiers Bravery” 1898).

24th-Infantry-leaving-Salt-Lake-City
24th Infantry Leaving Salt Lake City, Utah, for Chattanooga, Tennessee, April 24th, 1898. Accessed at the Library of Congress.

Unfortunately, according to antiracism expert Ibram X. Kendi in his book Stamped from the Beginning: The Definitive History of Racist Ideas in America, the recognition of these Black war heroes did little to halt the spread of racist ideas. “While ‘negative’ portrayals of Black people often reinforced racist ideas, ‘positive’ portrayals did not necessarily weaken racist ideas. The ‘positive’ portrayals could be dismissed as extraordinary Negroes, and the ‘negative’ portrayals could be generalized as typical” (2017, 328). Bravery, patriotism, and valor would not end discrimination. In fact, the crimes of the Jim Crow period—including disenfranchisement, convict leasing, and lynchings—would only accelerate.

African American Medal of Honor winners
Portraits of 15 African American soldiers and sailors who received Medals of Honor for service in the American Civil War, American Indian Wars, and Spanish American War from W. E. B. Du Bois, accessed at the Library of Congress.

How bitter would Roosevelt be? On the one hand, in 1901 he was the first president to invite an African American to join his family for supper at the President’s House. But the straightforward invitation to prominent educator Booker T. Washington set off a firestorm. South Carolina senator said that it would take the lynchings of a thousand Black people “before they will learn their place again” (Kendi 2017, 290). Roosevelt promised to never repeat his mistake, and to be sure he officially renamed the residence the White House (Kendi 2017, 290).

Buffalo-soldiers-robes-Montana
Nicknamed “Buffalo Soldiers,” African American units had been formed to fight in “government-led wars meant to overtake the Southwest and Great Plains from Native Americans.” The moniker “Buffalo Soldiers” may have been a compliment paid to the soldiers by the enemy, who noticed that the Black regiments “fought like the fierce Great Plains buffalo.” It also could have come from the buffalo robes that were not part of the official uniform but were procured by any soldier who could afford one, and shown in this Library of Congress photograph of soldiers of the 25th Infantry, at Ft. Keogh, Montana. Above quotations from Smithsonian Institute.

He would also single-handedly tear apart the careers and eliminate the pensions of 167 Black veterans—the entire 25th Infantry battalion—after blaming them for a riot in Brownsville, Texas, despite clear evidence to the contrary. Six of these men had won the Congressional Medal of Honor, and thirteen had received the Certificate of Merit, the next highest award. 123 of the 167 had served in the US Army for over five years, which means combat in the Philippines, and 26 of them had served for over ten years, which means combat in Cuba too. One career soldier had spent 24 years in the Army. All of them lost their entire retirement investment by executive order, without even the decency of a court-martial (“Troops Not Spared” 1906, 1). (Much the same had already happened to Sergeant Major John W. Calloway for equally spurious reasons.)

Washington and Roosevelt in the White House
Booker T. Washington at the White House from “The Secret Life of Booker T. Washington.”

Eventually Teddy Roosevelt got what he wanted—in 2001, more than eight decades after his death. During the waning days of the Clinton Administration, the U.S. Department of Defense bestowed a posthumous Congressional Medal of Honor upon Theodore Roosevelt. His media machine finally won.

selected Bibliography:

[Featured image is a vintage postcard of the 25th Infantry at Basilan in the Sulu Archipelago.]

Amron, Andrew D. “Reinforcing Manliness: Black State Militias, the Spanish-American War, and the Image of the African-American Soldier, 1891-1900.” The Journal of African American History 97, no. 4 (2012): 401-26. https://doi.org/10.5323/jafriamerhist.97.4.0401.

“Colored Troops Win Praise from the White Press.” Richmond Planet. (Richmond, Va.), 23 July 1898. Chronicling America: Historic American Newspapers. Lib. of Congress. https://chroniclingamerica.loc.gov/lccn/sn84025841/1898-07-23/ed-1/seq-2/.

“Compliment to Colored Soldiers.” Iowa State Bystander. (Des Moines, Iowa), 29 July 1898. Chronicling America: Historic American Newspapers. Lib. of Congress. https://chroniclingamerica.loc.gov/lccn/sn83025186/1898-07-29/ed-1/seq-1/.

“Gov. Tanner’s Speech.” Richmond Planet. (Richmond, Va.), 23 July 1898. Chronicling America: Historic American Newspapers. Lib. of Congress. https://chroniclingamerica.loc.gov/lccn/sn84025841/1898-07-23/ed-1/seq-4/.

Johnson, J. N. “Negro Soldiers’ Bravery: How Can They Be Utilized in Our New Territory.” The Washington Post (1877-1922), Jul 13, 1898. https://search.proquest.com/docview/143949611?accountid=11220.

Kendi, Ibram X. Stamped from the Beginning: The Definitive History of Racist Ideas in America. New York: Bold Type Books, 2017. Kindle edition.

New York State Division of Military and Naval Affairs. “Black Americans in the US Military from the American Revolution to the Korean War: The Spanish American War and the Philippine Insurgency.” New York State Military History Museum and Veterans Research Center. Last modified March 30, 2006. Accessed June 29, 2020. https://dmna.ny.gov/historic/articles/blacksMilitary/BlacksMilitaryContents.htm.

Ngozi-Brown, Scot. “African-American Soldiers and Filipinos: Racial Imperialism, Jim Crow and Social Relations.” The Journal of Negro History 82, no. 1 (1997): 42-53. https://doi.org/10.2307/2717495.

“President McKinley and the Negro Soldiers.” The Broad Ax. (Salt Lake City, Utah), 22 July 1899. Chronicling America: Historic American Newspapers. Lib. of Congress. https://chroniclingamerica.loc.gov/lccn/sn84024055/1899-07-22/ed-1/seq-1/.

“Troops Not Spared.” The Washington Post (1877-1922), Nov 22, 1906. https://search.proquest.com/docview/144648836?accountid=11220.

Yockelson, Mitchell. “‘I Am Entitled to the Medal of Honor and I Want It’: Theodore Roosevelt and His Quest for Glory.” Prologue, Spring 1998. Accessed July 30, 2020. https://www.archives.gov/publications/prologue/1998/spring/roosevelt-and-medal-of-honor-1.html.

A Sugar Communion Research Report

I drove two hours to attend Latin Mass and, predictably, understood not a word. The church was not struck by lightning, though, so I am counting it a win.

Let’s start at the beginning. People say write what you know, and it is good advice…that I do not follow very often. Okay, well sometimes I do: I’ve written two teacher characters so far. My heroines in past and future books hail from Boston (near where I currently live); Fairmont, West Virginia, where my mother moved in high school and the home of my favorite pepperoni rolls; and Columbus, Ohio, where I grew up. I love inserting sports into my historical novels because I am a football and volleyball coach who grew up playing softball and dated a baseball player in high school. Even the hymns used in my novella are favorites from daily singing at the Episcopal school where I teach.

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But I have nothing in common with a Roman Catholic priest in 1900. I have written men before, though not celibate men who spent their entire young adult life in the seminary listening to lectures in Latin. When trying something completely different, research matters. I want to write Andres Gabiana as authentically, respectfully, and convincingly as possible.

Where to start? I read. And I read. And I read. You can follow my progress on Goodreads, if you like. What follows is not going to give you any spoilers about the upcoming novel, Sugar Communion. It is more like a stream-of-consciousness book report (which I would admittedly never accept from my own students). Here goes:

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I’ve read twenty-two priest and nun memoirs so far. I’ve read three written by priests who, after struggling with celibacy, rededicated themselves to their vows and remained active priests. I have read three written by children of priests and nuns. I have read one by a man who came close to entering the seminary—he lived with religious orders and went on retreats—but ultimately decided against it. Mostly, though, I have targeted memoirs (fifteen of them) written by Roman Catholic priests who left the Church. And, like most of the other hundred thousand American priests who have left, they did so in order to take part in consensual, adult relationships. I really cannot emphasize these last three words enough: Consensual. Adult. Relationships. If marriage is a sacrament and a human right, and the Church says it is, then these priests left to exercise that right.

Sadly, consensual adult relationships with priests are not the average Bostonian’s first thought, but here’s the problem: the priests who sexually abused children in this diocese hid inside the Church. They did not leave it. And that has cost the bishops: nineteen American dioceses have been bankrupted by $3 billion dollars in court judgments, according to the National Catholic Reporter, and all because the Church refused to listen to victims and victims’ families, and instead reassigned these criminals to new parishes instead of turning them into the authorities. Pedophile priests are a small—and incredibly destructive—fraction of those who have broken their celibacy vows. Celibacy does not cause pedophilia. Institutionally, though, it can create the conditions that allow it to thrive, if the seed is already planted: a flawed selection process for priests, sexually immature men in positions of power, a culture of secrecy and shame around sex, and possibly a celibate’s lack of a parental impulse to protect children.

In order to separate my story as far as I can from this pattern, my heroine is a few years older than my priest (both are in their 30s); she is a professional (medical doctor) in her own right; and she is not a member of his parish. Andres is also a good man and a good priest.Andres-Liddy-Pinterest-Sugar-Communion

He is a good priest, I swear, even by the teachings of the Church itself. Did you know that throughout the first eleven hundred years of Christian history, the leadership—including popes, bishops, and parish priests—could legally wed and celebrate the faith as married men? (I did not know this, either, not until I read two academic treatments from experts A. W. Richard Sipe and William E. Phipps, which are the basis of most of the historical information to follow.) The Jewish tradition celebrated married love and required it of priests and rabbis. Not only was Jesus a Galilean Jew, but his role could be best described as an early rabbi (teacher and scholar). There is evidence that Jesus himself may have been married (and maybe widowed) by the time of his ministry. We know Peter was married. Paul was widowed. Moreover, in the early Jesus Movement, women played significant roles in ministry, church leadership, and funding.

So where did Catholic clerical celibacy and patriarchy come from? Pre-Christian Greek philosophers like Plato and Aristotle. If you didn’t know, these guys were pretty big misogynists, as were most Athenian men. It is from their teachings that early Christian saints decided that male genitals and the whole of women were created by Satan. A female was a defective male, Saint Thomas Aquinas said, quoting Aristotle.

Andrew-Scott-Fleabag
One of my favorite non-celibate priests on television: Andrew Scott plays the priest on the second season of Fleabag. Photo by Luke Varley / BBC / Two Brothers and found on The Guardian.

Even worse, once clerical celibacy was required—not until 1139, mind—it inaugurated the most corrupt period in the Church’s history. Marriage was eschewed as foul, while concubinage, pedophilia, and rape were only given mild cautions that were often ignored. Everyday churchgoers needed protection from ravenous clergy that hunted their wives and daughters. Those few priests who wanted to live moral lives by marrying their spouses found themselves excommunicated and their wives enslaved. Schisms and war erupted. It was a nasty time of division and violence, and it was overseen by the men who brought the Church celibacy.

Today Catholic clergy do not even agree upon the definition of celibacy, let alone practice it consistently. At any one time, Sipe says, only about half the clergy in the United States is celibate. What I have learned from the memoirs I have read is that most priests were not given any training at how to be celibate while they were in seminary, other than a few lectures on Eve’s temptations and the corruption of the earthly sphere. They might also be taught the official Catholic teaching on homosexuality as a “disordered” behavior, despite recent studies that have estimated over half of American priests today would identify themselves as gay or bisexual if they were free to do so. The person who first encouraged me to try a Latin Mass is a practicing Catholic who currently lives with his common-law husband, the love of his life, in Arizona. Had this friend been free to be a married gay priest, he would have been one of the very best. Good people of all genders are lost to the priesthood because, for reasons that have nothing to do with their morals and leadership qualities, they are not allowed to apply.

Sexual liaisons are not the only relationships that seminaries restricted, I have learned. In the nineteenth and early twentieth centuries, seminaries did not want their charges to even have close friendships. The instructors monitored who walked with whom between buildings like they were overseeing cotillion dance cards. Nor was a seminarian allowed to remain in close contact with his own family. Trips home—even for weddings and funerals—were very limited. The future priest was the property of the Church and not the other way around. Even after ordination, the vow of celibacy allows this control to continue for a lifetime. Bachelor priests are easier to move without notice, and they have no widows or heirs to claim Church property. Not surprisingly, then, the theme that came out strongest in all the memoirs is loneliness.

waiting-archbishop-ortman
One of the most introspective memoirs I’ve read is Waiting for the Archbishop by Dennis Ortman, probably because the priest later became a psychiatrist and he’s willing to really dig deep.

By immersing myself in these memoirs, I have been able to live, albeit briefly, in the culture that will shape Andres Gabiana. I took extensive notes, and I even bought a scanner to enter them! Most of what I learned will never make it to the fiction page, but it still helps to set the scene in my head.

Most of the memoirs on my reading list took place during the 1940s-1980s, mostly in the United States and Ireland but also one in rural Brazil. I do not read Spanish or Filipino, which limits my Philippines-based sources. However, many of the orders operating in the Philippines were European-based, and their rules applied internationally. The Church is also a hierarchical organization following its own canons (code of law) applied throughout every diocese.

san-honorato-mojon-chapel-bais-negros
The Mojon Chapel at the Central Azucarera de Bais that became my vision of San Honorato on Hacienda Altarejos.

The Brazilian account exposed one flawed assumption from my previous books. In the provinces of predominantly Catholic countries in the early twentieth century, priests would have been in short supply. No curate would have had the luxury of ministering at one tiny chapel at Hacienda Altarejos full-time. Poor Andres. His job just got a lot harder. You’ll see.

Research itself will only take you so far, though. Some things you have to witness. For example, even if you are Catholic, forget (almost) everything you know about mass. The Latin Rite (pre-1962) is not just in Latin, a language that most laypeople do not understand, but also the priest keeps his back to the congregation the vast majority of the time. Half the time he whispers. The only chance for participation is at communion, which is still not a verbal exchange. I had to see the whole thing in person to understand it, so this Monday morning I went to Latin Mass.

jennifer-hallock-stanislaus-latin-mass-nashua

On the face of it, the ritual seems designed to be incomprehensible. I barely saw the Host and never saw the priest consume the sacramental bread and wine. It was like watching a cashier make change from across the room. In a court of law, I could not testify that he actually did it. And, to be honest, that confused me more than the silence. It’s not great showmanship—or is it? Maybe what appeals to people in the service is the mystery: “a religious truth known or understood only by divine revelation.” Awe and enigma have fueled religions from the beginning.

I was most impressed by the server, or altar boy. (It does not have to be a boy, by the way. It can be a layman, a subdeacon, deacon, or another priest. Needless to say, he does have to be a male.) I would say the boy was about the age of my students, going into ninth grade. He had to know more than just when to ring the bell: he had to answer for the congregation since we never spoke. This meant he had to know a lot of Latin, and he had to say it clearly. In fact, I found it easier to understand his elocution than the priest’s because, proudly, he sorta shouted. He did not go to school for eight or twelve years to learn how to manage this mass; he learned his part on his own time. He probably takes Latin at the local Catholic school, but still.

treasure-tradition-latin-mass
Treasure and Tradition is a clear, beautifully illustrated, and complete introduction to Latin Mass. I recommend reading it cover-to-cover before you go the first time.

I am not sure if Roman Catholicism would not have survived as the largest denomination of Christianity these past fifty years if it had stayed so inscrutable, but the Latin Rite does have its attractions—especially for the priest, I imagine. He is more remote, powerful, and enigmatic. This had to be, at least partly, the draw of a vocation. As all the memoirs made clear, the whole family took on an elevated status in the parish once they had a son in the seminary.

(I do not know if this last part is still true because traditional geographic parishes are breaking down in favor of “personal parishes,” or parishes based on nationality, language, or other specializations. The church I went to was a personal parish centered around the Latin Rite, for example. There is a growing conservative Catholic movement in these personal parishes, and you will see them more and more throughout the United States.)

When I went to mass, I never spoke to the priest about any of my reactions. I never spoke to him at all. He did not seem particularly stern or unapproachable—he was younger than me, probably in his late 20s or early 30s, and he sported a well-trimmed beard. I did not talk to him because he wasn’t standing at the back of the Church shaking hands as people left. Maybe he greets the parish after High Mass on Sundays? I will go sometime to find out, but I am still not sure what I would ask him. I could ask why he chose to be a part of a religious order dedicated to the Latin Rite, the Priestly Fraternity of St. Peter, but that seems like more than a two-minute conversation.

interior-latin-mass-sugar-communion
Can you see what he’s doing? Yeah, me neither. Creative commons photo courtesy of Luke Moloney on Wikimedia Commons.

There’s one place for sure that the mass-goer can talk to the priest: in confession before the service begins. In the memoirs I read, though, most priests disliked confession. It is not the voyeuristic extravaganza you might expect. It’s everyday stuff at best (cursing, gossip, impure thoughts); and it’s troubling at worst (domestic violence) without clear ways to intercede and provide help without violating the seal. Crime dramas centered around confessed murders rarely happen, despite each priest hearing dozens if not hundreds of confessions a week for their entire careers—not that anyone wants a murderer confessing to them, of course.

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Actually, one theme that came from both the academic books and the memoirs is that confession can mire a priest in the muddy sludge of the material world—lust, greed, corruption—for which the seminary’s tight rules do not prepare him. Often he is ordained before he truly understands what he is agreeing to. He goes from not talking about sex at all to parishioners asking questions about sex (e.g. “Is oral sex with my husband a sin?”). At the time that celibacy became a discipline in the Roman Catholic Church, most priests would have lived about ten to fifteen years total after their ordination. Now they live fifty or more. Statistically, the hardest year for priests is the thirteenth anniversary of their ordination, and by this point many priests have reached a crisis.

In the time that Andres will be a priest, it was almost impossible to leave the clerical office. Though it is easier now to be laicized, or “reduced” to the non-clerical state, it can still take years, or even decades, because the Church is very good at burying paperwork. Meanwhile, they are told to stay far, far away from their old dioceses and all their old friends, some of whom have cut them off anyway. Loneliness can beget more loneliness. And despite what you read in the press, there is no such thing as an ex-priest in the Roman Catholic Church. A priest is a priest forever, even if no longer able to receive confessions, which is done on behalf of the bishop. A laicized priest can still administer some sacraments, like the Eucharist and Extreme Unction, but he can no longer serve as deacon (the position he had before ordination). In other words, their status is…complicated.

Let me thank all the priests (and children of priests) who wrote their memoirs. They have been willing to share their most personal thoughts with me, a stranger. It has been a summer of learning. If you have comments on this book report, please join my Facebook group, History Ever After, and post them there. The real test, dear reader, will be writing Sugar Communion, and there my work is just beginning.

 

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If you want to keep tabs on what I am reading, check out my list on Goodreads.

Reprising the History Games at #RWA19

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If you are attending the Romance Writers of America’s national conference in New York next week, come see me reprise my researching workshop. It incorporates all I have learned from a quarter-century of guiding high school history students through the research process:

True stories inspire the best fiction. Let history help you find the usual, precocious, and maybe even dangerous heroes and heroines you need! A veteran teacher and researcher will show you how to exploit free sources online: memoirs, newspapers, magazines, advertisements, maps, photographs, clothing, artifacts, videos, and more. This workshop’s emphasis will be on historical research, especially the Regency through the Roaring Twenties, but it will include practical tips and tricks for all authors.

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I will also join Gilded Age romance superstars Maya Rodale and Joanna Shupe for Researching and Writing the Gilded Age Romance:

All that glitters isn’t gold, but the Gilded Age can make your manuscript shine! Join three experts who will share what to read/watch/listen to in order to start discovering the Gilded Age world. Take advantage of the Big Apple to explore historical New York City and brainstorm Gilded-Age romance novel plots after learning more about the history and how popular romance tropes fit in this historical time period.

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Finally, on Saturday from 3-5, I will be signing and selling Sugar Moon and Under the Sugar Sun at the book fair to benefit literacy:

#RWA19-literacy-signing-romance-writers-new-yorkI hope to see you there!