Want to learn more about the setting of the Sugar Sun series? Click on any of the graphics below. To find these places on maps of the Philippines & Manila, click here to go straight to the bottom of this post. Enjoy your visit!
The Sugar Sun series is an epic family story of love and war at the beginning of the twentieth century. Books may be read in any order, as all are interconnected-yet-standalone happily-ever-afters. Read what people are saying about the series here, and find content guidance here.
A schoolmarm, a sugar baron, and a soldier . . .
It is 1902 and Georgina Potter has followed her fiancé to the Philippines, the most remote outpost of America’s fledgling empire. But Georgina has a purpose in mind beyond marriage: her real mission is to find her brother Ben, who has disappeared into the abyss of the Philippine-American War.
To navigate the Islands’ troubled waters, Georgina enlists the aid of local sugar baron Javier Altarejos. But nothing is as it seems, and the price of Javier’s help may be more than Georgina can bear.
The Oriente is the finest hotel in Manila . . . but that’s not saying much.
Hotel manager Moss North already has his hands full trying to make the Oriente a respectable establishment amidst food shortages, plumbing disasters, and indiscreet guests. So when two VIPs arrive—an American congressman and his granddaughter Della—Moss knows that he needs to pull out all the stops to make their stay a success.
That won’t be easy: the Oriente is a meeting place for all manner of carpetbaggers hoping to profit off the fledgling American colony—and not all of these opportunists’ schemes are strictly on the up-and-up. Moss can manage the demanding congressman, but he will have to keep a close eye on Della—she is a little too nosy about the goings-on of the hotel and its guests. And there is also something very different about her . . .
Jonas Vanderburg volunteered his family for mission work in the Philippines, only to lose his wife and daughters in the 1902 cholera epidemic. He wishes his nurse would let him die, too.
Rosa Ramos wants nothing more to do with American men. Her previous Yankee lover left her with a ruined reputation and a child to raise alone. A talented nurse at a provincial hospital, she must now care for another American, this time a missionary whose friends believe her beyond redemption.
The papers back home call Ben Potter a hero of the Philippine-American War, but he knows the truth. When his estranged brother-in-law offers him work slashing sugarcane, Ben seizes the opportunity to atone—one acre at a time. At the hacienda Ben meets schoolteacher Allegra Alazas. While Allegra bristles at her family’s traditional expectations, the one man who appreciates her intelligence and independence seems to be the very worst marriage prospect on the island.
Neither Ben nor Allegra fit easily in their separate worlds, so together they must build one of their own. But when Ben’s wartime past crashes down upon them, it threatens to break their elusive peace.
This is Andres’s book (aka #UndressAndres) and you can read about my progress in researching his world here. There is a lot of medical history I have learned for the heroine, a doctor. That research has been partly through reading but primarily through podcasts.
I spent the last two weeks of February on an amazing trip to the Philippines. Packing everyone I wanted to see into 14 days—plus romance events!—was a little insane, but I made the most of every minute.
I started the business end of things with an appearance at the Philippine Romance Convention 2017, hosted by the Romance Writers of the Philippines at Alabang Town Center—a mall that happens to be my old stomping grounds. I was honored to sit on the Steamy Romance Panel with Mina V. Esguerra, Georgette S. Gonzales, and Bianca Mori. These are three outstanding authors. Mina’s Iris After the Incident is such an important, sex-positive, feminist contemporary romance that I wrote a whole blog post about it. Georgette writes intense romantic suspense that tackles politics, corruption, and more. And Bianca’s globe-trotting romantic suspense Takedown trilogy is like a cocktail of Ocean’s 11 and Mr. and Mrs. Smith, but with more sex. It goes without saying that this was an amazing evening.
While I was there, author Ana Valenzuela and I grabbed a coffee at Starbuck’s so we could chat. That chat eventually turned into this hugely flattering article in the Manila Bulletin, the leading broadsheet newspaper in the Philippines.
But I’m getting ahead of myself. Before that came out, I was able to do some awesome traveling that provided me inspiration for both my current Sugar Sun series and my anticipated second generation series, which will be set during World War II. I headed to Corregidor with three great friends: my amazing hostess and great friend, Regine; my former student and now accomplished Osprey pilot, Ginger; and Ginger’s husband, Tread, also an Osprey pilot.
Even though I have been to the island several times, even staying the night before, I find each return trip gives me new ideas. I pick up different tidbits on the tour every time. This time, in the Malinta Tunnel, I heard about the crazy parties the Americans threw at the very end, when they expected to be defeated any day. They needed to consume their supplies before the Japanese arrived, and they really needed to get out of that tunnel at night. What happened under the stars, on the beach, when no one was watching? Yep, that is romance material, if I’ve ever heard it. A celebration of life in the midst of death.
Only a few days later, I was on the other side of the channel, on the Bataan Peninsula. This, of course, is the site of the infamous Bataan Death March, where 76,000 Filipino and American soldiers were force marched over 100km without food or water. Tens of thousands died. This is not good romance novel material. But each marker we passed was a reminder of the sacrifice of others who came before.
Regine and I had gone to Bataan to see some even older history—particularly the heritage homes being preserved at Las Casas Filipinas de Acuzar. On the one hand, I loved this place. It is a resort made up of bahay na batos, bought and moved from all over the Philippines. And, with no other cities or villages in sight, you can almost imagine that this is what Manila looked like during the time of the Sugar Sun series—if you squint your eyes to avoid seeing the ATM machine hidden in the bottom floor of one of the houses. The guides are informative, and the location by the sea is breathtaking. And, if given the choice between having a house moved here and letting it deteriorate or be bulldozed, then the choice seems obvious. With all these homes in one place, a person can truly appreciate the proud architectural tradition of the islands.
However, there are down sides, too. First, these homes are not in their original context, to be appreciated by those who have some claim over their heritage. They are also glorified hotel rooms, rented out for exorbitant prices by the park’s creator. Unlike a national museum, this park is for profit, and it is not cheap to get to, nor stay at. Therefore, the history of the Philippines cannot be equally shared among all Filipinos. Also, the location by the sea is questionable because the salty air will accelerate deterioration. Finally, there are a dozen building projects going on at a time, and meanwhile those already built or moved are degrading. It feels a little like a resort built by someone with ADHD—once one thing is halfway done, it gets pushed aside for a shiny new toy.
But, it is beautiful. And I got to see a recreation of the Hotel de Oriente! I felt like I should be giving out copies of my novella at the door—but, alas, I did not have any with me. The building looked accurate on the outside, but there are no surviving photos of the inside, so they have improvised. And while I applaud them hiring all local craftsmen to do the ornate inlaid woodwork, this interior makes the a Baroque palace look minimalist. Still, I was thrilled to be there. It was a huge rush.
These amazing trips led up to the big event: the combined lecture of “History Ever After” at the Ayala Museum and the release of Tempting Hymn! It was such an amazing day. I talked for an hour about the history of the American colonial period, the Philippine-American War, and the Balangiga Incident. I wove in information about all my characters, even showing character boards with the casting of famous movie stars in the roles of each hero and heroine. (Piolo Pascual as Padre Andrés Gabiana was a special favorite.) I gave some special attention to the new novella, and then I signed and sold all the books I had brought with me. (One whole piece of checked baggage was just books!)
What a fantastic day, and I have to thank the whole #romanceclass crowd for coming out. You guys were amazing! Thanks to Mina Esguerra and Marjorie de Asis-Villaflores organizing the event. It would not have been possible without you. And thank you to my wonderful friend Regine, my advisor, therapist, and accountant—as well as the best hostess ever.
Regine and I spent my last evening in Manila at Intramuros at the 8th Annual Manila Transitio Festival commemorating the 100,000 dead in the Battle of Manila, 1945. Under the leadership of performer and popular historian extraordinaire, Carlos Celdran, we made wishes on the walls of Intramuros, listened to great music, ate great food, and even drank some buko (young coconut) vodka. Yum.
While much of this trip was devoted to writing, one of the truly best parts of being back was seeing my wonderful friends again, including people who have known my husband and me for over 20 years. The Philippines are beautiful, but it is the people who make this place so unforgettable. The fact that two of these people, Ben and Derek, now own three of the best bars in Manila doesn’t hurt, either!
Amazingly, I survived this whirlwind trip, but it only made me anxious for more. I cannot wait to go back. I need to write more books to justify the next trip, so off I go to write, write, write…!
Moss led Della over to the sillon in front of the window. The planter chair was a deep recliner made out of wood and rattan, and it had long, wide arms that stretched out in front of the seat. The sillon was built for napping, but Moss had not brought Della here to sleep.
She sat, and he gently lifted one of her legs to rest on the extended arm of the chair. She relaxed there, wanton, ready for him.
He started with a gentle kiss to her knee and then moved his lips up her inner thigh. Della gave a deep moan, vibrating her entire chest.
“I love you,” he mouthed against her skin. He said it a second time. And a third.
The words earned him a soft giggle. “I understood you the first time. I love you, too.”
It was good that he would not need to repeat himself because he was running out of room on her leg.
I do use furniture creatively in my books. Ahem. Though my first thought when I sat in a sillon, or butaka, was not dirty at all. It was, “Boy, could I sleep right now.” After all, that was what the “silla perezoza” or “lazy chair” was designed for. (It was also called a “sillon de oreja” or “chair with ears.”) The backs were curved and the arms flat and long, all the better to slump deep and raise your feet. The cane backing circulated the air around the siesta-enjoying hacendero in his bahay na bato house. (Yes, Javier Altarejos owns a sillon or two, but he never stays seated long enough to use one. He’s a vigorous romance hero, or didn’t you know?)
The fact that hacenderos owned furniture designed around day-sleeping had to frustrate their employees, though. In fact, the more unequal the labor relations, the more popular the chair seemed to have been. Designed in Cuba, these chairs were found everywhere from Mexico to the southern United States to the Philippines to India—all with their own variations. Even Thomas Jefferson had one, and he gave one to James Madison. Interestingly, most American colonial officials in the Philippines had never seen one before because relatively few were from the South. They found them fascinating (and comfortable), never knowing they needed only to go to Virginia to see one.
There may be a dirty underbelly to this piece of furniture, but in the era of La-Z-Boys, I think we can put our differences aside. I wish I had my own sillon right now, in fact…I could use a nap.