Sugar Sun series glossary term #29: daigon (or daygon)

Christmas in New Hampshire feels surprisingly quiet this year. The holiday season traditionally begins the day after Thanksgiving on “Black Friday”—marking the start of the shopping season, which will bring stores out of the red and into the black with holiday sales. Recently Black Friday has become Black-Thursday-the-hour-after-you-load-the-dirty-plates-in-the-dishwasher. And then this year I noticed advertisements for Christmas-themed books, movies, and products on or before Halloween.

Amateurs.

The Philippines celebrates the longest Christmas season in the world, starting on September 1st—when you’ve officially entered the “Ber” months—and lasting through the beginning of January. (Or Easter, according to how long some of my neighbors had their decorations up.) Once September arrives, stores break out the holiday albums, parols are offered for sale alongside highways, and malls get so crowded that you literally cannot drive by them. Seriously, don’t plan on it. And if you do, don’t fight the standstill. Just put on some good tunes, sit back, and relax. You’re going nowhere quick.

This may not be a picture of me driving by SM Southmall in Christmas season, but it is close enough. Photo by Matzky.
This may not be a picture of me driving by SM Southmall in Christmas season, but it is close enough. Photo by Matzky.

But here’s the secret: if you want to drive anywhere in Manila during Christmas season, do so on Christmas Eve. The roads are deserted. The toll booths are unmanned. Skyway is free for everybody!

This “good night,” Noche Buena, is the real holiday. The day begins with a midnight (or pre-dawn) mass called the Misa de Gallo, or mass of the rooster. (Because by the time you leave church, the roosters are crowing.) The evening is for family dinners, and by midnight on Christmas Day the faithful head back to mass.

There is one tradition that may have gotten lost in big city life in Manila and elsewhere: pastores, or shepherds. This pageant-carol of the Nativity drama came from Mexico, thanks to sailors on the Spanish galleons. Its details, though, soon varied by region. The villains could be anyone from the devil (in half-man, half-monkey form) to King Herod to snooty homeowners.

A cultural dance performance at the 2015 Daygon performance in Dumaguete. Photo from Dumaguete.com.
A cultural dance performance at the 2015 Daygon performance in Dumaguete. Photo from Dumaguete.com.

Today, in many places, the daigon has become a set piece dancing and singing performance. But in the early 1900s Visayas, the daigon (or daygon, from “starting a fire” or “lighting up”) was more like what I described in Under the Sugar Sun:

Javier guided Georgina to a house with a pronounced balcony, the perfect place to start the daigon. Mary, Joseph, and a chorus of shepherds and angels were already assembled. Mary was dressed in a blue and white gown, her “pregnant” belly stuffed full of pillows. The band fell silent as the holy couple sang a plea for shelter to the owners of the house. One did not have to know Visayan to understand the girl’s predicament.

The owners of the house responded in turn, and Javier translated in a whisper. “They are saying that the house is already bursting with people.”

Then Mary sang again. “She is promising them heavenly rewards,” he explained. “I think a literal translation is that ‘their names will be written in the book of the chosen few.’”

“It is beautiful,” the maestra whispered. “What did the people in the house just say?”

“They have turned her down. They said their house is not for the poor.”

“How awful.”

He found Georgina’s innocence endearing. No doubt she knew the story of the Nativity as well as he did—probably better since she actually went to all the novenas—but her rapt expression made it seem like she was hearing the story for the first time.

They trailed the crowd to the next house, where Joseph begged for a place for his wife, “even in the kitchen,” but was told that the mansion was “only for nobles.” When Mary insisted, the doña threatened to let loose her dogs on them.

Georgina looked around, noticing that they were almost at the school building. “They will not sing to us, will they? More importantly, I do not have to sing back?” She looked truly alarmed.

“Do not worry. They will finish before that, at the ‘stable’—by which I mean the town church, San Nicolás. The crowd and the band will amble on, though, begging for refreshments, so we should prepare.”

Georgina’s eyes lit up. “Your aguinaldos!”

He laughed and squeezed her hand on his arm. “Exactly—including your favorite: chocolate.”

There is a fair amount of seduction over food in that book, even at fiesta. Maybe especially at fiesta!

For a young woman, landing the role of Mary was like being crowned the homecoming queen, though she had better be able to sing, too. Fortunately, my character Rosa Ramos was both pretty and talented:

Singing had pulled Rosa through her childhood. Instead of being just the daughter of a disciplined maid and an undisciplined field hand, her voice had made her the best known fifteen-year-old in Bais. Out of all the girls on all the haciendas, she had been cast as the Virgin Mary in the local Christmas pageant. It said something about her life back then that she could not have imagined anything so grand anywhere in the world. She could have been crowned queen of Spain and still not been as happy as she had been that night.

That was a little holiday gift for you—a taste of Tempting Hymn. Here is another gift: the lighting of the huge Christmas tree at Bais.

I hope everyone has a Merry Christmas (Maligayang Pasko!), Happy Hanukkah, Happy Kwanzaa, and Happy New Year.

Featured image of the 2010 nativity from the Dusit Thani hotel in Makati, Metro Manila. Creative commons photo courtesy of Daniel Go.

Sugar Sun series glossary term #28: parol

An hour later they safely stumbled into a cluster of chromatic light. Georgie wondered if she had fallen under some kind of enchantment….Surrounding the church were hundreds of colorful star-shaped lanterns hanging off white-blossomed frangipani trees. Georgie stood frozen in place, overwhelmed by the feeling that she had entered a secret village of wood sprites.

Under the Sugar Sun

Creative commons image courtesy of Kent Kawashima.

Want to know a secret? This passage is wrong. Sort of. Maybe.

One thing is right. Those “colorful star-shaped lanterns” are the ubiquitous symbol of Christmas in the Philippines: parols. They are everywhere: on houses, in malls, along highways, and—their original purpose—lighting the path to church. The original star design was reminiscent of the Nativity story:

After they had heard the king, they went on their way, and the star they had seen in the east went ahead of them until it stopped over the place where the child was. When they saw the star, they were overjoyed. (Matthew 2:9-10)

I am still overjoyed when I see a parol. In fact, so much so that I brought one back with me, and it may be the only one of its kind in rural New Hampshire. And, okay, that’s fine—we live in a globalized world these days—but would Hacienda Altarejos really have had a parol or two in 1902? Eh, close enough. The parol—from the Spanish farol for lantern—did originate in Spanish times, so that’s good for my timing. It even seems that the Mexican piñata got jumbled in the origin story somewhere, accounting for the bright colors of crepe paper or papel de Japon (Japanese rice paper). But I think they looked a lot different, more like the regular lanterns they were named after.

Parol sellers on the sidewalk of Macapagal Highway, image courtesy of Dindin Lagdameo.
Parol sellers on the sidewalk of Macapagal Highway, image courtesy of Dindin Lagdameo.

It was not until 1908—when a salt vendor in Pampanga named Francisco Estanislao slapped together some bamboo strips in festive shapes—that the tradition we know today was born. And, if Estanislao did not invent this “real” parol until 1908, and he was all the way up in Luzon, wouldn’t it have taken a few years for the tradition to spread to the island of Negros, where my story takes place? Okay, so I was a little off. But no one has called my bluff—yet. I think this is because to anyone in the islands, the Christmas season requires parols. I would have gotten flack if I had forgotten them!

Parols today do light the way to mass…and the way to Starbuck’s, too. Whatever gods ye worship, people! Back in the Edwardian era, the main light sources were candles or coconut oil lamps. These days there are at least three hundred tiny light bulbs in just a small parol. This is why mine had to be refitted for 110v before we shipped it back. (Thank you to Edith Rocha Tan for help on that!) Now, those three hundred lights give unsuspecting New England drivers fits as they drive by at night. Sweet.

hallock-parol
The Hallock parol in rural New England. Keeping the neighborhood jolly!

Fortunately, the art—and it is an art—of parol-making is still being passed down the Estanislao-David-Quiwa family:

When we were kids, my brothers and I would play with our toy trucks and attach our own parol drawings on cardboard, simulating the position the way the real arrangements of actual giant lantern festival entries were supposed to be during competitions. We simulated a mini-competition in our home and let our tatang [father] judge who among the siblings had the best design.

The giant lantern competition Arvin Quiwa was emulating is Ligligan Parul in San Fernando, Pampanga, which takes place the week before Christmas. And there are similar competitions and displays all around the greater Pinoy diaspora. I’m telling you: it’s not Pasko without a parol, no matter where you are. Maligayang Pasko! (Or Malipayong Pasko! in Cebuano.)

A parol festival in San Francisco, image courtesy of Nicole Abalde.
A parol festival in San Francisco, image courtesy of Nicole Abalde.

Read what people are saying about the Sugar Sun series!

Sugar-Moon-book-two-trilogy

Praise for Sugar Moon, the second full novel in the Sugar Sun series:

Named one of the 10 Best Historical Romances with Sports by Frolic!

“So this book I was saving for the long weekend? Readers, I just finished it. WHY DID I READ IT SO FAST?…Pretty sure Allegra will be my favorite heroine this year.” (★★★★★ review by Kat of BookThingo on Twitter and Goodreads)

Fantastic!…a comprehensive fictional characterization…” (Rolando O. Borrinaga, Ph.D., leading expert in the history of the Balangiga Incident)

“…this richly layered romance is filled with vivid details of a location not often found in historical romance…” (Bestselling author Joanna Shupe)

“I cared intensely for Allegra (Allie), a young woman who knows what she wants but not how to get it, and Ben, who doesn’t believe he deserves to have anything at all….Ben, a curmudgeon of an opium addict who I instantly disliked in Sugar Sun, is transformed through some sort of writerly witchcraft into a sympathetic character I couldn’t help but root for.” (★★★★★ review by Alexa Rowan on Goodreads)

“Highly recommended.” (Historical Novel Society review)

“These characters were so vibrant!…The portrayal of women—and Allegra in particular—uplifts and inspires…Sugar Moon sparkles with wit and romance…” (Michaelene M.’s review in Historical Romance Magazine)

Smart, engaging, and unspeakably naughty.” (★★★★★ review on Amazon)

Ben and Allegra’s story was “on a completely different level.” (Joy Villar’s review on Twitter)

Read Sugar Moon for free on Amazon’s Kindle Unlimited.


Tempting-Hymn-novella-Sugar-Sun-seriesPraise for Tempting Hymn, a novella in the Sugar Sun series:

A- and Desert Isle Keeper from All About Romance: “If you like underrepresented settings, social class conflict, intercultural romance, working class characters, or just damn good historicals, the Sugar Sun series is one to get into. I’m certainly developing a sweet tooth!”

“Reading this book feels like a spoon gliding through a custard dessert.” (Phebe on Goodreads)

Tempting Hymn manages to give adequate breathing room to the harsh historical realities of American colonial rule in the Philippines, while delivering a romance that is sweet, realistic and – above all – emotional….Hallock doesn’t pull any punches in Tempting Hymn, with either the romance or the historical detail. She does her setting and her characters justice, delivering a story that is raw and unflinching, but never too dark, because it has an engaging and touching romance at its core. [And] all the sex scenes here are insanely hot, just like in Under a Sugar Sun.” (Dani St. Clair, Romancing the Social Sciences)

“This novella does a hell of a lot of work between the lines. It’s actually breathtaking.” (Kat at BookThingo, posted on Twitter)

“The pairing here is American man/Filipino woman and that is a tricky, sensitive trope…but it’s handled with deft and care. And dignity.” (Mina V. Esguerra, author of Iris After the Incident, reviewed on Facebook)

“…the first love scene between Jonas and Rosa is a master class.” (Bianca Mori, author of the Takedown trilogy, reviewed on Goodreads)

Read Tempting Hymn for free on Amazon’s Kindle Unlimited.


Under-the-Sugar-Sun-book-one-trilogyPraise for Under the Sugar Sun, the first novel in the Sugar Sun series:

“If you’re looking for a meaty historical romance that will transport you somewhere you’ve never been, Jennifer Hallock’s books…are must-reads.” (Courtney Milan, NYT bestselling author of The Duchess War.)

“Intensely absorbing…the charged political climate of the day is drawn with refreshing nuance.” (Laura Fahey review for Historical Novel Society)

“Two pages in and I was utterly hooked. I sensed the voice of a confident writer and spied the shorelines of a diligently-researched world. I finished it this weekend, hungry for more.” (Bea Pantoja, blogger)

“It will take me a few days to recover from reading Jennifer Hallock’s beautifully written novel. It was vivid, funny, unflinching, poignant, and sexy…. I didn’t want to say goodbye to Georgie and Javier.” (Suzette de Borja, author of The Princess Finds Her Match, reviewed on Facebook)

“Oh my god this book!…And I’m usually not into the high-stakes romance because my heart doesn’t want to handle it, but this guy…” (Mina V. Esguerra, author of Kiss and Cry and the Chic Manila series).

“It’s a perfect read for those who love their romance with a little more plot, and for history buffs who want to see a different perspective on the Philippines.” (Carla de Guzman, Spot.ph on “10 Books That Will Take You Around the Philippines”)

“…Under the Sugar Sun was also just a great romance, the kind that makes you feel squiffy in the stomach when you remember it at odd moments during the day…grand in scope in the same way old-school romances were, but with a very modern presentation of race, class and gender.” (★★★★1/2 review by Dani St. Clair of Romancing the Social Sciences)

Read Under the Sugar Sun for free on Amazon’s Kindle Unlimited.


Hotel-Oriente-prequel-novella

Praise for Hotel Oriente, the prequella novella to the Sugar Sun series:

“The strength of this book, aside from the lyricism with which it describes Manila in what was arguably its heyday, is the intimacy between Della and Moss.” (Five-star review from Kat at Book Thingo)

“. . . a quick but delightful read. I loved that the plot played on a real profiteering scandal that occurred at the Hotel de Oriente, but I was equally intrigued by Hallock’s heroine.” (Erin at Historical Fiction Reader)

“I loved this book. It’s got an easy, fluid style that’s both readable and vivid.” (Author Erin Satie)

“…a stellar novella…[with] political intrigue, a sexy hard-working hero, and fascinating details about early 20th century Philippines. Her stories are beautifully-written and painstakingly-researched.” (Penny Watson, author of A Taste of Heaven, reviewed on Goodreads)

Find Hotel Oriente at Amazon as a standalone novella, or grab it as part of the Romancing the Past anthology wherever you purchase your ebooks, starting September 15, 2021.


History-Ever-After-Jennifer-Hallock-reader-group

The Sugar Sun series an epic family saga of love and war at the beginning of the twentieth century. Books are listed below in reverse-publication order, starting with the latest releases first. This series does not need to be read in order, however, and all are interconnected-yet-standalone happily-ever-afters.

A lovely article introducing the Sugar Sun series to the Philippine general reader. You can find a digital copy of the article at the Manila Bulletin.

Author Bio:

Jennifer Hallock spends her days teaching history and her nights writing historical happily-ever-afters. She has lived and worked in the Philippines, but she currently writes at her little brick house on a New England homestead—kept company by her husband, a growing flock of chickens, and a mutt named Wile E.

Jennifer-Hallock-author-bio

Author Details:

Jennifer is available for speaking engagements, interviews, and appearances. She is also happy to speak to reading and writing groups via Zoom.

She presents on the history of America in the Philippines: How is a war you have never heard of more important than ever today?

She also presents to writers’ groups on:

Contact Info:

Jennifer Hallock — jen at jenniferhallock dot com
Mailing List — info at jenniferhallock dot com or http://bit.ly/sugarnewsletter
Twitter — @jen_hallock
Facebook — jenniferhallockbooks
Instagram — jen_hallock
Amazon author page — http://bit.ly/jenniferhallock

Photos:

Author photo: download here
Sugar Moon cover: download here
Tempting Hymn cover: download here
Under the Sugar Sun cover: download here

Sugar Sun series glossary term #26: aswang

Sugar was such a greedy crop, drinking the lifeblood of the soil like the aswang demons that peasants feared.

Under the Sugar Sun

With the popularity of the Twilight series—or, let’s get old school with Anne Rice’s Vampire Chronicles—I am surprised that more writers have not widened their paranormal worlds to include the folk traditions of the Philippines. Though legends vary, the Aswang Project website has come up with three common characteristics of aswangs in them all:

  1. The aswang’s diet consists mainly of human liver and blood;
  2. It has an unholy preference for unborn children; and
  3. It is also known to prey upon children and sick people.

Um, did you notice number two? Aswangs have been blamed for miscarriages and stillborn babies all over the islands. Scholars say that Spanish Catholics spread the aswang legends to vilify the female midwives and folk healers, called babaylans, especially those in the interior of the southern islands. As this website describes:

When they know of a pregnancy . . . they would land on the roof of the pregnant woman’s home, and, trying to remain undiscovered, dig a hole to get inside. Once close, they use their razor-sharp teeth and their tongue that can stretch out as a thin wire to drink the blood and eat the fetus through the mother’s belly button . . .

Even worse, there is a related creature called a manananggal, who is a beautiful woman by day, but at night she detaches the upper half of her torso, sprouts bat-like wings, and flies around with her guts hanging out, looking for victims.

manananggal_small
A manananggal as pictured at Florente Aguilar’s guitar project site, Aswang: Tagalog Song Cycle.

The aswang legends are particularly popular in the Western Visayas region, near where the Sugar Sun series is set. In fact, when Silliman University in Dumaguete opened their first dormitory in 1903, people thought it was haunted with these very creatures.

You may be wondering, how are aswangs created in the first place? What is their origin story? Getting bitten, like by a European-style vampire, is not going to do it. (You would just be dead, I think.) In the Filipino version, the dying aswang vomits up a small black chick—as illustrated below—which the aswang-to-be must swallow. Waiter, check please.

aswang-black-chick
Image from Erik Matti’s “Tiktik: The Aswang Chronicles,” found at the AswangProject.

In European folktales, like those of the Brothers Grimm, the big bad wolf is eventually punished for eating children. But the victims of aswangs get no such justice. (Maybe because carrying a child to term and then actually delivering it has been the most dangerous thing a woman could do for most of history?) This is very dark stuff. I don’t write novels this dark, but someone should. I cannot imagine an aswang hero, but maybe that’s my lack of imagination.

Featured image from sweet00th on DeviantArt.

The History Games: Micro-History Models

What is micro-history, you ask? It is the investigation of small units in history—an individual, a small village, a family, or a school, for example. Why is this important? Because large trends, the kind of history you get in encyclopedias, smooth out history to give you only the most average experience. And who likes to read about average? No one!

You want to read about the outliers, the dangerous, the obscure, the interesting! Part of what authors are selling is the chance to live someone else’s life for a little while. Maybe your character is Marianne, a half-Jamaican hotelier seduced by a spy during the Crimean War; or Lily, a diplomat’s daughter who rescues a wounded American Marine in the Boxer Rebellion in China.


Either way, flat descriptions from encyclopedias won’t cut it. You need to mine primary sources for the convincing details of everyday life. Where else would you learn how Marianne chased off a thief with her rusty horse pistol, primed only with coffee? Or how Lily saved her favorite pony from becoming dinner for starving Americans in Beijing?

Marianne and Lily are intriguing because they are based upon real people—real outliers. My inspiration for Marianne came from The Wonderful Adventures of Mary Seacolewhile Lily is based on Laura Conger in Sarah Pike Conger’s Letters from China. Cool books! Where did I find them, you ask? At the end of this post, you will find a handout detailing many wonderful places to find free primary sources on the internet: books, articles, artifacts, photographs and videos (if available), illustrations, newspapers, and more, all from the time period itself.

But how do you use this information to create realistic characters and believable conflict? And how do you know what facts to use and what to make up? I came up with five models to help you figure it out:

The Ice Cube Tray Model

My fake characters Marianne and Lily are based upon the broad outlines of real people—one or two sides of a mold—but if I actually wrote books for them I would fictionalize them by mixing in other elements. Pour in all the individual hopes, dreams, and quirks that you need to make each character three-dimensional.

Here is an example from my writing: I found the original inspiration for my character Allegra Alazas of Sugar Moon from a single lantern slide found at the Philippine Photographs Digital Archive. Why did this image speak to me? Because the half-scowl on the woman’s face seems to say, “Mr. Photographer, you and I both know that you are an idiot, but I am just polite enough not to say it out loud.” Based on what I could discern from the photo, I thought that maybe this woman would have been educated in Manila at a fancy convent school. So I found a few of those in another primary source, a Commercial Directory of Manila in 1901. And what would the woman in the photo say to Sister Elenteria in their Artificial Flowers class? Well, if you know Allegra, you know that she told the sister where exactly she could put her artificial flowers in a country with bountiful natural ones. And Allegra was born.

Ice-Cube-Tray-Micro-History-Sugar-Moon

The Straitjacket Model

What if you find outliers you don’t like? There always will be archival sources that represent the worst of a chosen era, and these constraints can give you what you need for a foil or villain. I did this for Archie Blaxton and the Stinnetts, the ugly Americans from Under the Sugar Sun and Tempting HymnThese characters were partly modeled after the Coles, teachers in Leyte (see photo of Mary Cole below).

Straitjacket-Micro-History-Jennifer-Hallock

The Open Flame Model

Real history can also provide conflict, too. Why did Georgina Potter head to the Philippines in Under the Sugar Sun? I found a newspaper article in the Manila Times archive about an undelivered letter that fell into the hands of the wrong person. It was written by a very-worried sister who did not know what had become of her brother. And I thought to myself, “Where was this brother? What was the sister going to do next? What would happen when she actually finds him?” Good conflict adds heat underneath your character’s feet. I call this the open flame.

Open-Flame-Micro-history-Jennifer-Hallock

The Millstone Model

For Sugar Moon, I gave my hero a troubled past. Ground down by the millstone of war, he is someone new because of this real event. It is a big part of his internal conflict.

millstone-historical-fiction-model

The Fridge Magnet Model

Finally, I use real vignettes and anecdotes throughout my books. A lot of people remember the snake scene in Under the Sugar Sun, and I wish I could take full credit for it. But that really happened to a real clueless American on one of his first nights in the Philippines in the early 1900s. There’s some stuff you cannot make up, and you shouldn’t have to. But you do need those little details that make your book convincing.

Consider this: when you walk into a house, where do you find the small details important to that family’s daily life? On their fridge. (Or their medicine cabinet, but shame on you!) Therefore, I call this the fridge magnet model. These little snippets tell your reader more about a character or setting than Mr. Exposition ever could. For example, the snake story told me how clever people were to use one pest to control another; and it told me that Georgie, for all her pluck, wasn’t going to get anything right her night in Bais. Her “fish out of water” anxieties will be essential to her later conflict with Javier.

fridge-magnet-historical-fiction-model

Conclusion

Whenever I approach a primary source, I think: how can this event advance my story or my character development? And you need to be thinking this, too. No matter how much fun it is to research—no matter how many rabbit holes you want to fall down—everything should move your book forward. Stay focused on these five models. I hope they help!

By the way, here is the handout of websites that I cover in the workshop’s “how to” portion: Hallock Micro-History Researching Tips. Happy researching!

click-here-handout-history-games-research