Raise the Red Flag: Cholera in Colonial Manila

My novella Tempting Hymn is the second in my series to mention the 1902 cholera epidemic in the Philippines. The book’s hero, Jonas Vanderburg, volunteered his family for mission work in the Philippines, only to lose his wife and daughters in the same outbreak that Georgina Potter dodged when she arrived in Manila in Under the Sugar Sun. Both books give a glimpse into what people feared most in the Edwardian era. Before the mechanical death of the Great War, disease was the worst of the bogeymen. [Edited to add in March 2020: It still is a bogeyman, obviously, even though cholera is a very different type of disease than #COVID19. For starters, cholera is caused by a bacterium not a virus. Nevertheless, it matters how society approaches containment and treatment of both diseases.]

Character board for Tempting Hymn part Sugar Sun steamy historical romance series
Cholera is important backstory for Jonas, the hero of my new novella, Tempting Hymn.

My books may be historical romance, but this post will not romanticize the history. Census figures put the total death toll from Asiatic cholera in the Philippines (1902-1904) between 100,000 and 200,000 people. Even that number might be low. This strain of the disease was particularly virulent, killing 80 to 90 percent in the hospitals. The disease progressed rapidly and painfully:

Often the disease appears to start suddenly in the night with a violent diarrhea, the matter discharged being whey-like, ‘rice-water’ stools…Copious vomiting follows, accompanied by severe pain in the pit of the stomach, and agonizing cramps of the feet, legs, and abdominal muscles. The loss of liquid is so great that the blood thickens, the body becomes cold and blue or purple in color…Death often occurs in less than a day, and the disease may prove fatal in less than two hours. (A.V.H. Hartendorp, editor of Philippine Magazine)

The Yanks saw cholera as a personal challenge to their colonial ideology. They had come to the Philippines to “Fill full the mouth of famine and bid the sickness cease,” in the words of Rudyard Kipling. What was the point of bringing the “blessings of good and stable government upon the people of the Philippine Islands” if they could not prove the value of their civilization with some modern medicine?

Cholera was not a new killer in the islands, nor did the Americans bring the disease with them. Though the Eighth and Ninth Infantries were initially blamed, the epidemic probably had its roots in China in this case. As Ken de Bevoise said in his outstanding work, Agents of Apocalypse: “The volume of traffic…between Hong Kong and Manila in 1902 was so high that it is pointless to try to pinpoint the exact source.” However, just because Americans did not bring cholera does not mean that we will let them off the hook. American policies, both military and civil, may have made the course of the disease worse.

Cholera virus Edwardian medicine
Amoeba with cholera vibrio and leprosy bacillus, as pictured in the Twelfth Annual Report of the Bureau of Science in Manila, courtesy of the Internet Archive.

War weakens and disperses a population, leaving it more vulnerable to disease. In 1901-1902 General J. Frederick Bell set up “protection zones” in Batangas, south of Manila, where all civilians were forced to live in close quarters without access to their homes, farms, and wells. Once cholera hit these zones, there was no escape: 11,000 people died. Even worse, mass starvation forced the general public to ignore the food quarantine, meant to keep tainted vegetables from being sold on the market. The Americans blamed Chinese cabbages for bringing cholera spirilla to the Philippines, but the war gave the people no other choice but to eat (possibly contaminated) contraband to survive.

Inside Manila people were also quarantined—a good idea, actually. The traditional Filipino home quarantine had worked well in the past: infected homes were marked with a red flag to signal people to stay away while loved ones were cared for. [Edited to add in March 2020: This may be the equivalent of social distancing and self-isolation of those sick. In the current #coronavirus crisis, health professionals like the CDC and WHO ask that only those who need advanced care—those with a fever or difficulty breathing—go to a hospital.]

But the Americans thought bigger. They collected the infected and brought them all to centralized hospitals outside of the city—buildings that also housed a morgue and crematorium, the public noticed. According to De Bevoise, eighty percent of the time, this was the last time the family saw the patient. Despite the Manila Times portraying the Santiago Cholera Hospital as a “little haven of rest, rather than a place to be shunned,” and bragging that it was staffed by the “gentle…indefatigable, ever cheerful” Sisters of Mercy, readers were not convinced. They would do anything to keep their family members from being taken there. They fled. They hid their sick. Because cremation was forbidden for Catholics at this time, the Filipinos hid their dead.

And the disease spread.

Cholera fire Tondo Manila during American colonial regime Philippines Edwardian Gilded Age era
Burning of the cholera-stricken lighthouse neighborhood of the Tondo district, Manila, 1902, by the health authorities. Photo courtesy of Arnaldo Dumindin.

My book Under the Sugar Sun began with a dramatic house burning scene, where public health officials destroyed an entire neighborhood in the name of sanitation. The road to hell was not just paved with good intentions. It was also littered with the corpses of industrious, exuberant, and dogmatic government officials. Any houses found to be infected were burned, “because the nipa hut cannot be properly disinfected,” in the words of one American commissioner’s wife. People were forced to find refuge elsewhere in the city, carrying the disease with them. Because it was such a counterproductive policy, Filipinos thought the American officials must have an ulterior motive in the burnings: to drive the poor out of their homes, clear the land, and build their own palaces. The commissioner’s wife, Edith Moses, herself said: “Sometimes, when I think of our rough ways of doing things, I feel an intense pity for these poor people, who are being what we call ‘civilized’ by main force….it seems an act of tyranny worse than that of the Spaniards.”

American instructions to the sick were also confusing—and sometimes bizarre. Clean water was a necessity, but this was not something the poor had access to. Commissioner Dean C. Worcester claimed: “Distilled water was furnished gratis to all who would drink it, stations for its distribution being established through the city, supplemented by large water wagons driven through the streets.” But no other source mentions such bounty. In fact, as author Gilda Cordero-Fernando pointed out in her article, “The War on Germs,” in Filipino Heritage, most people treated distilled water like a magic tonic, it was so rare: “Asked whether a certain family was drinking boiled water, as prescribed, one’s reply was ‘Yes, regularly—one teaspoon, three times a day.’” Even worse, though, was this advice by Major Charles Lynch, Surgeon, U.S. Volunteers, which was reprinted in the Manila Times:

Chlorodyne, or chlorodyne and brandy, have been found especially useful; lead and opium pills, chalk, catechu, dilute sulphuric acid, etc., have all been used. With marked abdominal pain and little diarrhea, morphine should be given…Ice and brandy, or hot coffee, may be given in small quantities, and water, in small sips, may be drunk when they do not appear to increase the vomiting…cocaine and calomel in minute doses—one-third grains—every two hours, having been used with benefit in some cases.

Lead pills. Opium. Chalk. Cocaine. And “calomel”? Mercurous chloride. If the cholera doesn’t kill you, Dr. Lynch’s treatment will! Though the coffee and brandy sounds nice…

Opium children teething powder cure cholera dysentery Edwardian medicine
Dr. Moffett’s Teethina Powder, with a secret ingredient of powdered opium, claims to cure “cholera-infantum,” which is a form of severe diarrhea and vomiting. This ad is from Abilene Weekly Reflector, courtesy of the Library of Congress.

When the Americans could not control the spread of the disease, they reverted to racism and blamed the epidemic on the victims. As public health historians Roy M. MacLeod and Milton James Lewis wrote:

American cleanliness was being undermined by Philippine filth.  The Manila Times lamented the cholera deaths of “clean-lived Americans.” It identified the “native boy” as “the probable means of infection” since in hotels and houses he prepared and served food and drinks to unwitting Americans. The newspaper reminded its American readers that “cholera germs exude with the sweat through the pores of the [Filipino servant’s] skin”and that “his hands may be teeming with the germs.”

Racism advertising Edwardian Gilded Age Pears Soap
Racist Pears’ soap ads of the Edwardian era. Notice that the ad on the left borrows from Kipling’s poem, “The White Man’s Burden,” and equates virtue with cleanliness. The one on the right is even more offensive, equating cleanliness (and virtue) with fair skin.

According to the Manila Times, the Americans organized their cholera hospitals by race: the tent line marked street A was “Chinatown,” street B was for the Spanish, street C for white Americans, street D for African Americans, and E through G for Filipinos. Though trade with China had been the cholera vector, Chinese-Filipinos actually had the lowest death rate of any group, including Americans. A Yankee health official ascribed this to the fact that they “eat only long-cooked and very hot food, in individual bowls and with individual chopsticks, and that they drink only hot tea.”

The epidemic reached its peak in Manila in July 1902, and in the provinces in September 1902, before running its course. Its decline was probably due to the heavy rains cleansing the city, increased immunity among the remaining population, and a strategic call by the Archbishop of Manila to encourage Filipinos to bury their dead quickly—but Americans still congratulated themselves on their efforts. And they had worked hard, it is true: Dr. Franklin A. Meacham, the chief health inspector, and J. L. Judge, superintendent of sanitation in Manila, died from exhaustion. The Commissioner of Public Health, Lt. Col. L. M. Maus, suffered a nervous breakdown. Even the American teachers on summer vacation were encouraged to moonlight as health inspectors—for free, in the end. The wages paid to them by the Police Department were deducted from their vacation salaries because no civil employee was allowed to receive two salaries at once. (The relevant Manila Times article explaining this policy is not online, but its title, “Teachers are Losers” is worth mentioning.)

Cholera epidemic in American colonial Philippines in Gilded Age
The hope of a quick end to the cholera outbreak was dashed by July and August 1902, as shown in these three articles from the San Francisco Call, the Akron (Ohio) Daily Democrat, and the Butte (Mont.) Inter Mountain.

All their hard work might have been for nought, though. Filipino policies of individual house-by-house quarantine would have probably been more effective, had they been given the chance to work. Whipping up the population into a panic was exactly what the Americans should not have done. In the name of containing the disease, they caused the real carriers—people—to disperse wider and faster throughout the country. We all need to be on guard against such hubris. [Edited to add in March 2020: Please practice social distancing and self-isolation to #flattenthecurve. If you are not in a high-risk group by age or pre-existing conditions, please take these precautionary measures in order to protect those in your family or community who are most at risk. And stop hoarding the toilet paper. What are you going to do, eat it? Also, check out my full history of Gilded Age medicine and my favorite medical history podcasts for more information.]

I write my love stories in the middle of challenging settings like cholera fires and wars because I believe that love will find a way to grow even during the darkest of times. In the Sugar Sun series, American and Filipino characters untangle international and interpersonal conflicts to create their happily-ever-afters, even if they cannot change the larger course of history that envelops them. Along the way, they show that today’s debates over global economic integration, nation-building, military force, religious extremism—and epidemic disease—echo the scrutiny over American policy that started in the Philippines.

Featured image is of the cholera squad hired by the Americans in the Philippine outbreak of 1902. Photo courtesy of the Library of Congress.

What’s So “New” about Imperialism?

The Gilded Age was an age of New Imperialism. The age of empires began over five thousand years ago, so what was so “new” about imperialism, you ask? Well, there were new players: Germany, Japan, and the United States, to name three. (Though the US had been imperial from the very beginning, if you want to be honest about it. Thus began a long tradition of American imperial amnesia. If interested in more, check out Daniel Immerwahr’s How to Hide an Empire.) There were also new technologies: industrial transport and communication opened up the interiors of Africa and India, as well as tying together the disparate islands of the Pacific.

New Sea Power

But one of the most puzzling aspects of New Imperialism was its doctrine: “Yes, we are here in your country, ruling your people, and pilfering your resources—but it is all meant to help you, not us.” Cue the rest of the world saying: “Are you kidding me?”

Cartoon from the April 1899 issue of Judge magazine.
Cartoon from the April 1899 issue of Judge magazine.

Well, no, the imperialists were not kidding. In fact, they wrote poetry about how much they were not kidding. In “The White Man’s Burden,” Rudyard Kipling famously instructed the Americans that it was their turn to play the game in 1899, after seizing Manila in the Spanish-American War.

White-Man-Black-Burden-Comparison
A comparison of two stanzas of different burdens at the turn of the twentieth century. Rudyard Kipling’s poem (1899) is one of the most famous defenses of “New Imperialism,” but African American editor Henry Theodore Johnson’s critique entitled “The Black Man’s Burden” (1899) reflects the reality of who bore the weight of colonization.

The people may hate you for it, Kipling was saying, but it is the Americans’ duty to colonize the Philippines and refashion the islands in the mold of Anglo-American civilization. African American editor Henry Theodore Johnson responded with “The Black Man’s Burden” (1899), which hit every note of opposition in the African American community, including: (1) the unnecessary nature of the war; to (2) how it fits into a long history of oppression of non-white peoples in the name of US expansion; and ends with (3) a reminder that Black Americans were already at war in their own country, not by their own choice. In the end, it would be African American regiments who would save the army in Cuba and serve in significant numbers in the Philippines, both in the US Army and in the Philippine Constabulary.

December 1898 Puck cartoon shows Uncle Sam welcoming world trade in his off-shore entrepôt.
December 1898 Puck cartoon shows Uncle Sam welcoming world trade in his off-shore entrepôt.

The authorities in the United States took up Kipling’s standard. They also believed the Philippines could be the Americans’ own foothold in Asia, an economic entrepôt to compete with the Great Powers in China. And, unlike those gauche Spaniards, the Americans would be enlightened rulers. President McKinley proclaimed:

…we come not as invaders or conquerors, but as friends, to protect the natives in their homes, in their employments, and in their personal and religious rights….[The American military must] win the confidence, respect and affection of the inhabitants of the Philippines…by proving to them that the mission of the United States is one of benevolent assimilation, substituting the mild sway of justice and right for arbitrary rule. [emphasis mine]

William Howard Taft, the first civil governor of the Philippines (and eventual President of the United States), was credited with saying that the Filipinos would be our “Little Brown Brothers,” which—get this—was too generous for the tastes of most Americans. U.S. soldiers on the march in the Philippines sang in response: “He may be a brother of Big Bill Taft, but he ain’t no brother of mine.” (The ditty was eventually prohibited by officers because it did not make a great first impression, to say the least.)

its-up-to-them-web
“It’s ‘up to’ them.” Uncle Sam gives the Filipinos the choice of either a soldier or a schoolteacher: the stick or the carrot. This Puck centerfold was published on 20 November 1901.

To be fair, there were some attempts at benevolence by the Americans. To name a few: the establishment of the first truly national and secular coeducational public school system in the islands; the creation of American university scholarships for the brightest Filipino youth; the building of ports, roads, telegraph lines, irrigation systems, hospitals, schools, and universities; the creation of a Filipino National Assembly; several Filipino Commissioners to advise the American governors; and a Supreme Court of the Philippines, led by a Filipino chief justice. This was not really democracy, but it was not the Belgian Congo, either.

american-chastisement
From left to right: The trench of dead Moro soldiers and civilians at Bud Dajo (1906); a demonstration of the “water cure” by the 35th Volunteer Infantry; and the news headlines about General Smith’s orders to kill all Filipinos capable of bearing arms, which he defined as over the age of ten.

Still, there were plenty of ugly aspects to American rule in the Philippines, as you can see above. Occupation is always dirty. There was the Moro War, the water cure, and the Howling Wilderness of Samar. And, of course, there were the double-standard economic policies of the insular regime. The Americans set up a system by which American goods were sold in the Philippines tariff-free, but Filipino goods were taxed twice, both when they were exported from the Philippines and when they arrived in the United States. Where did that tariff revenue go? To pay the tab of the American administration, of course.

(Side note: The only US Treasury money spent for civilian reconstruction in the Philippines was the million dollars paid to farmers to compensate for the lost of their water buffalo to the rinderpest epidemic. The disease wasn’t the Americans’ fault, but the loss of 90% of these beasts of burden would hold economic progress back. Note that the US did not reimburse loss of carabao to military action or even deliberate slaughter in counterinsurgency actions.)

The hypocrisy of New Imperialism also prompted English writer and politician Henry Labouchère to write his own version of the “Brown Man’s Burden,” which included this stanza:

Pile on the brown man’s burden,
compel him to be free;
Let all your manifestoes
Reek with philanthropy.
And if with heathen folly
He dares your will dispute,
Then, in the name of freedom,
Don’t hesitate to shoot.

Before you pat Labouchère on the back for his progressive skewering of Kipling’s motives, do know that he was a homophobic campaigner whose most lasting legacy was the Labouchère Amendment that made all sexual activity between men a crime. (This is the law that Oscar Wilde and Alan Turing were prosecuted under.) And Labouchère was not the only anti-imperialist who might disappoint our modern sensibilities. Both Andrew Carnegie and William Jennings Bryan were anti-imperialists, but their opposition was actually based on racist visions of nationhood. Carnegie wanted us to only take land that would “produce Americans, and not foreign races,” and Bryan worried about Chinese and Filipino immigration “exciting a friction and a race prejudice” that would damage America’s homogeneity.

In fact, some of the most vociferous anti-imperialists were racist Southern Democrats, many of them ex-Confederates. A former major in the Confederate Army, Senator John W. Daniel is quoted in the Congressional Record as saying:

We are asked to annex to the United States a witch’s caldron. . . . We are not only asked to annex the caldron and make it a part of our great, broad, Christian, Anglo-Saxon, American land, but we are asked also to annex the contents and take this brew—mixed races, Chinese, Japanese, Malay, Negritos—anybody who has come along in three hundred years, in all of their concatenations and colors; and the travelers who have been there tell us and have written in the books that they are not only of all hues and colors, but there are spotted people there, and, what I have never heard of in any other country, there are striped people there with zebra signs upon them. This mess of Asiatic pottage 7,000 miles from the United States, in a land that we can not colonize and can not inhabit, we are told today by the fortune of a righteous war waged for liberty, for the ascendency of the Declaration of Independence, for the gift of freedom to an adjoining State, we must take up and annex and combine with our own blood, and with our own people, and consecrate them with the oil of American citizenship.

Images of Carnegie, Bryan, and Twain from the public domain.

Before you despair, though, let’s move onto Mark Twain, who “updated” the lyrics of the Battle Hymn of the Republic, Julia Howe’s abolitionist hymn, to more properly reflect what he felt Americans had been doing in the Philippines:

Mine eyes have seen the orgy of the launching of the Sword;
He is searching out the hoardings where the stranger’s wealth is stored;
He hath loosed his fateful lightnings, and with woe and death has scored;
His lust is marching on.

mark_twains_american_flag_1901
The American Flag as redesigned in 1901 by Mark Twain. Image found here.

And, if that was not enough, Twain redesigned the American flag to include skulls and crossbones instead of stars. His essay “To the Person Sitting in Darkness” is a brilliant piece of political satire:

Shall we? That is, shall we go on conferring our Civilization upon the peoples that sit in darkness, or shall we give those poor things a rest? Shall we bang right ahead in our old-time, loud, pious way, and commit the new century to the game; or shall we sober up and sit down and think it over first? Would it not be prudent to get our Civilization-tools together, and see how much stock is left on hand in the way of Glass Beads and Theology, and Maxim Guns and Hymn Books, and Trade-Gin and Torches of Progress and Enlightenment (patent adjustable ones, good to fire villages with, upon occasion), and balance the books, and arrive at the profit and loss, so that we may intelligently decide whether to continue the business or sell out the property and start a new Civilization Scheme on the proceeds?

Both Johnson and Twain give us some faith that not every American bought into the plunder-but-call-it-progress ideology of New Imperialism. But most did.

Featured image at the top of the page is the 20 March 1901 cover of Puck. Read more about New Imperialism here.

Now Someone Say How This Began: The Spanish-American War of 1898 (Part I)

The historical backdrop of my books is the Spanish-American War of 1898, when the United States acquired the Philippines, Puerto Rico, and Guam for $20 million.

American readers, how long did you study this period in your high school history classes? Maybe a day? A half a day? This complex series of wars have been getting more attention recently but not nearly as much as they deserve. Frankly, everything Americans know about their country’s role in the world stems from this tipping point. Whether you agree with it or not, American “exceptionalism”—the idea that America’s democratic history, transparent legal system, and free market economy make it especially suited to transform the world for good—was born here.

“Here’s to the girl I left behind.” (Photograph from the Library of Congress.) Doesn’t war look like fun?

Before 1898, America’s overseas interventions were relatively minor. The US intervened in Chile, Brazil, and Nicaragua in the 1890s; and, admittedly, we almost got in a tussle with Britain over Venezuela, but that was settled by appointed commissioners (none of whom were actually Venezuelans). There was also a scramble for guano islands in the Pacific. Check out How to Hide an Empire by Daniel Immerwahr.

Still, most Americans had not yet developed an appetite for extensive land conquest in Asia, as a group of American planters and US Marines found out when they overthrew the legal monarchy of Hawaii in 1893. They wanted the US to annex the islands, but President Grover Cleveland, an anti-imperialist, refused. At that time, the mood of the public was: “What are you boneheads doing? Why do we want Hawaiian problems when we have problems galore here on Main Street?” I’m paraphrasing.

So Hawaii went into limbo. More on them later. And then a depression hit in 1893—a big one. In fact, it was the worst American economic crisis to date (in a time of peace), and remains one of the worst in American history. And that was when everything changed.

An 1896 melodrama based upon the Panic of 1893.

The cause of the panic was, ironically, progress. Railroads turned a patchwork of small agricultural markets into a single large one. That plus mechanization and improved farming techniques drove down prices and put small farmers out of business—or in terrible debt, which led to a debate over abandoning the gold standard. Though manufacturing blossomed in the cities, conditions were appalling. Professional strikebreakers, including private security firms like the Pinkertons, ensured that labor disputes were violent on all sides. Without collective action, wages stayed low, and that meant there were not enough customers to buy all the stuff the country produced.

May 5, 1893: panic on the stock exchange as captured in Leslie's Illustrated Newspaper.
May 5, 1893: panic on the stock exchange as captured in Leslie’s Illustrated Newspaper.

What was the answer? People began to think: “If we can’t sell our goods here, let’s hawk them abroad, like the Europeans do! We should be able to sell to China, too. Commodore Perry already ‘opened’ Japan for everybody. Oh, and by the way, you’re welcome!” I’m paraphrasing again.

Anti-labor propaganda that uses the memory of the 1893 depression to encourage a free trade agenda.

Americans began to get hungry for empire—but should that empire be an economic or a territorial one? Men like Frederick Jackson Turner bemoaned the closing of the American frontier in 1890. He said the expansion across the West was where Americans had grown strong and manly. The virtually unlimited forests and plains available for the taking—as he saw it—had ensured that America would never become a feudal society dominated by a small class of land-owning nobles. And now that Americans had settled everything from New York to San Francisco, where would we go?

By the way, Turner was not concerned about people of color who were destined to be the losers in his vision. He was not concerned about their lives, their rights, their culture, or their children. Systemic discrimination based upon race and ethnicity was an unspoken platform of the Gilded Age from the beginning. Reconstruction was over. Now the white northerners and southerners would institutionalize their advantages against everyone else, especially African-Americans. This combination of lynchings, convict leasing, disenfranchisement, and segregation is often called “slavery by another name.” Moreover, the military leaders that brought you the Indian Wars are the same ones who will bring you the Spanish-American and Philippine-American Wars.

Alfred Thayer Mahan, photographed in 1904. “The Story of the Spanish Armada” was a promotional book and poster published in 1898 to celebrate America’s victory.

One influential group of strategists emphasized reach, not largesse. The US needed ports, they said, lots and lots of them around both oceans. Captain Alfred Thayer Mahan, a professor at the Naval War College, thought it imperative that America protect its sea lanes with a strong navy, which would be “the arm of offensive power.” To do that, America needed coaling stations all around the Caribbean and Pacific, à la the Portuguese maritime empire. Mahan particularly insisted that “no foreign state should henceforth acquire a coaling position within three thousand miles of San Francisco.” (By the way, coal would still be king for another twenty years or so. And the oil era will not change our priorities, merely the pins in the map.)

Mahan inspired a whole generation of imperialists. A prominent young lawyer in Indiana named Alfred J. Beveridge articulated this group’s position so cogently that his oratory alone propelled him to a seat in the United States Senate:

American factories are making more than the American people can use; American soil is producing more than they can consume. Fate has written our policy for us; the trade of the world must and shall be ours. And we will get it as our mother [England] has told us how. We will establish trading-posts throughout the world as distributing-points for American products. We will cover the ocean with our merchant marine. We will build a navy to the measure of our greatness. Great colonies governing themselves, flying our flag and trading with us, will grow about our posts of trade. Our institutions will follow our flag on the wings of our commerce. And American law, American order, American civilization, and the American flag will plant themselves on shores hitherto bloody and benighted, but by those agencies of God henceforth to be made beautiful and bright.

Note that Beveridge believed in the full colonial system, with all the rights and responsibilities that entailed. He was eager to take up Rudyard Kipling’s call to the “The White Man’s Burden”: “To wait in heavy harness, on fluttered folk and wild—your new-caught, sullen peoples, half-devil and half-child.” Though Kipling and Beveridge were born three years and a hemisphere apart, they were kindred spirits.

Cartoon from the April 1899 issue of Judge magazine. Even if these illustrations satirized the imperialists (and I am not saying that they did), they were still racist.

Theodore Roosevelt said that it was time to “have done with childish days,” time to “search your manhood,” in Kipling’s words. Roosevelt wanted conquest, even if it meant war. Maybe especially if it meant war. He said:

We do not admire the man of timid peace…Far better it is to dare mighty things, to win glorious triumphs, even though checkered by failure, than to take rank with those poor spirits who neither enjoy much nor suffer much, because they live in the gray twilight that knows not victory nor defeat.

“The man behind the gun will settle this war,” from Puck. Now this is a piece of propaganda that romance writers can really get behind. Nudge, nudge.

He saw no danger of “an over-development of warlike spirit.” In fact, just the opposite. He worried most about becoming “a wealthy nation, slothful, timid, or unwieldy.” We remember Teddy Roosevelt best for his adage to “speak softly, and carry a big stick,” but I see little evidence of soft speaking in his public record. This quote of his is far more representative: “Peace is a goddess only when she comes with sword girt on thigh.”

Roosevelt was hungry for war, and he was not alone. But where? Against whom? And how would he rally an isolationist public recovering from depression and bring them all the way to war? Enter Spain, stumbling awkwardly into the room.

Continue reading Part 2 here.

(The featured image is from an 1898 patriotic poster, found at the Library of Congress.)